Latest Features & Reviews
-
Liam Withnail’s Long-Haul Flight Survival Guide
In his new show, the English comedian covers how he travelled all the way up to Edinburgh to kickstart his career 18 years ago. Since then, he’s become accustomed to a much, much longer journey.
-
Dave Gleeson: The Adelaide Music Venues that Made Me
Ahead of his Adelaide Fringe show Long Way to the Top, The Screaming Jets singer highlights some legacy venues that have shaped the city’s music scene
-
Interview: You and I
Jesse Scott and Lachlan McAulay step onstage as themselves in You & I, Casus Creations’ most intimate performance yet
-
The Cycling Man’s Guide to Cycling in Adelaide
Kathy Maniura’s deeply flawed, lycra-clad Cycling Man takes us around Adelaide on a bike
-
Hugh Sheridan: A Crooner’s Guide to Drinking in Adelaide
The actor, singer and one third of the California Crooners Club hand-picks the perfect places for a gentleman to sink a few cocktails
-
Interview: Ozzy Algar
We chat to clown-comedian Ozzy Algar about their gossiping alter ego Pet, owner of the Isle of Wight’s last surviving laundromat
-
Beat Boyz’ Guide to Dating in Adelaide
Michele Owen and Roxie Halley’s party boy alter egos share their Top 5 dating hacks for a single man on a budget
-
Boys’ Club
Sponsored Content | In timely satire Trophy Boys, an all-female and non-binary cast takes on the male egos present in Australia’s elite schools
-
Interview: Bad Habits
Mixing religion, sexuality and pop culture, three shows at this year’s Adelaide Fringe take on the big question: can we mix church and pleasure? Their respective performers, Lauren Hance, Libby O’Donovan and Jens Radda, put it to you to decide.
-
First Look: Adelaide Biennial 2026
In its legendary showcase of contemporary Australian art, the 2026 Adelaide Biennial asks how artists create under pressure
-
Adelaide, Soundtracked
The creators of 27 Club take us on a city tour inspired by the music of their new show, Twenty Sixteen
-
Interview: Daniel Muggleton
We catch up with the man in red about Adelaide, dodgy audiences and life as a cult comic