Category: Reviews
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Review: Figures in Extinction
Extraordinary, unique and emotion-firing performance
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Review: Breaking Bach
Street dance meets classical in atypically fitting mash-up
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Review: IV – Here & Now Showcase
Fourth piece in dance series struggles to land
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Review: Delusional – I Killed a Man
Diana Salles breathes new life into the trans rebirth metaphor
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Review: Canvas of Sound with Tazeen Qayyum
Cross-medium collaboration between calligraphy and music
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Review: Faustus in Africa!
Witty and sometimes harrowing display of puppet power
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Review: Tom at the Farm
A tedious exploration of important issues, despite its epic scale
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Review: The Quiet Earth Beneath
Personal story of memory and bereavement that is visually transporting
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Review: A Small Town Northern Tale
Heartfelt solo piece from writer/performer Nathan Jonathan
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Review: Athens of the North
Interlinked tales of Scots’ inner lives recall Greek tragedies
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Review: Theo Mason Wood: Legalise Kissing
Tale of a recent break-up with twinkly swagger and a knowing wink
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Review: Daniel Muggleton: You May Be White, I May Be Crazy
Solidly entertaining observations from the easygoing Australian stand-up
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Review: SLUGS
Sweet and strange antics descend into sweaty DIY fever dream
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Review: The Alchemy of Sadness
A fascinating conversation around power imbalances that feels stilted
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Review: JEEZUS!
Fun and filthy musical theatre from Latin America
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Review: Gianmarco Soresi: The Drama King Tour
Joke-a-minute stand-up expertly skirts the line
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Review: Jessica Fostekew: Iconic Breath
Fostekew mines the routinely domestic for comedy gold
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Review: Cirque Kalabanté: WOW (World of Words)
A showcase of true dedication and skill
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Review: Pussy Riot: Riot Days
Raw, unapologetic and defiant show from the Russian protest art collective
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Review: Is There Work on Mars?
Imperfect but delightfully absurd sci-fi storytelling
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Review: I Feel Sick
Matt Jenner’s one-man sketch show falls short
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Review: Orpheus and Eurydice
Spellbinding new take on a classic
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Review: Ivo Graham: Orange Crush
Light-hearted, citrus coloured zealotry of the non-sectarian kind
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Review: Anatomy of a Night
Performance intended as a “love letter” to queer spaces is thinly conceived
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Review: The Green Knight (But It’s Gay)
Delightfully silly retelling of the medieval classic
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Review: Mary, Queen of Scots
Scottish Ballet’s thrillingly unapologetic retelling
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Review: Tell Me Where Home Is (I’m Starting to Forget)
Slick, self exposing one person show
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Review: Barry Ferns: My Seven Years as Lionel Richie
Scrappy, upstart tale from the Fringe semi-legend
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Review: Book of Mountains and Seas
Minimalist opera that is meditative and soothing
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Review: Score
Rich and deeply intelligent confrontation with technologies of control
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Review: Stepping In… Spilling Out
Gorgeously unfussy performance from dancer Mark Bleakley and percussionist Rémy Gouffault
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Review: I’m Ready to Talk Now
Oliver Ayres’ solo piece is calm, reflective and unsettling
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Review: Thanks for Being Here
Ontroerend Goed’s latest show places emphasis on the camaraderie of collective experience
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Review: C U Later, Simulator
Entertaining otherwordly chaos that mirrors the unpredictability of life
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Review: The Ego
A well-pitched exploration of the cut-throat world of screen entertainment
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Kids Review: Cinderella Ice Cream Seller – A Musical
Xavier, six, enters an ice cream parlour
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Kids Review: The Truth About Trees
Siena, eight, enjoys spending time with puppets
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Review: Sam Jay: We the People
Drily delivered subversive takes from the US comedian
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Review: The Insider
Sonically and visually stunning theatre
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Review: Urooj Ashfaq: How to Be a Baddie
A riotously funny and upbeat insight into deviancy, fuelled by pettiness
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Review: Tiff Stevenson: Post-Coital
Funny and moving show yearns for a stronger build-up to its climax
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Review: Elysium
A remarkable theatrical and musical exploration of personal relationships
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Review: The Nature of Forgetting
Valuable physical theatre with a novel approach to our perception of dementia
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Review: Youth in Flames
A formidable debut from Mimi Martin
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Review: Triptic
Rapturous, virtuosic exploration of global folk music
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Review: Sikisa: Serving Justice
Satire and hilarity chock-full of audience engagement
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Review: Jonah Non Grata
Simon Kane revives his 20-year-old clown show for its Fringe debut
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Review: Simple Town
Acclaimed New York sketch troupe bring their smart, absurdist act to the Fringe
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Review: Kathy Maniura: The Cycling Man
Ingenious send-up of bike obsessives is a cracking ride
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Review: Jena Friedman: Motherf*cker
Tale of motherhood and grief bristles with righteous anger
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Review: Managed Approach
Moving and original drama based on the UK’s first legalised red-light district
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Review: Giselle: Remix
Fresh update of classic ballet explores importance of queer visibility
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Review: Little Squirt
Darby James’ sperm donation musical has it all
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Review: Chloe Petts: Big Naturals
Big laughs come naturally in loving look back at lad culture’s problematic zenith
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Kids Review: The Unlikely Friendship of Feather Boy and Tentacle Girl
Lyra, nine, is wowed by the two artists
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Review: Shamik Chakrabarti: Despite Appearances
Wry humour and a sharp eye for absurdity
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Review: Kanpur: 1857
Effortless and enchanting storytelling from Niall Moorjani
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Review: Wee Man
Barrowland Ballet’s intergenerational show provides a breadth of contributions
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Review: Jackie!!!
An eccentric, fun joyride through a turbulent time
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Review: Because
Measured, clean, and masterful performance from Hassan Govia
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Review: Up Late with Kathryn Joseph
Gorgeous set from the bluntly honest electronic rock troubadour
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Review: Float
A rich galaxy of complicated emotions in this debut solo show
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Review: The Beautiful Future is Coming
Compassionate but gloomy play about the climate crisis
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Review: The Boy from Bantay
Poignant exploration of despair and loss
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Review: Desiree Burch: The Golden Wrath
An inspirational, inclusive, and thoroughly entertaining hour
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Review: Killian Sundermann: This Boy is Cracking Up
Much-loved internet comic dives deeper into his Irish-German upbringing in Fringe debut
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Review: Alright Sunshine
Isla Cowan tackles big topics with a light touch and realistic characters for a hauntingly powerful piece of writing
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Review: Ayoade Bamgboye: Swings and Roundabouts
An absolute lock-in, don’t-miss-a-thing outburst of talent
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Review: Susie McCabe: Best Behaviour
Self-deprecating hour is light on ambition but full of charisma and warmth
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Review: The Burns Project
Warts-and-all telling of Robert Burns’ life makes great use of its unique setting
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Review: Adele Cliff: Adele, Adele, Adele… Cliff It Isn’t the Consequences of My Own Actions
Deftly delivered trove of reliable, if unspectacular, anecdotes from self-professed comedy nerd
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Review: Strangewife
Frazier Bailey’s play intrigues with its unpacking of artifice and modern love
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Review: In the Land of Eagles
Alex Reynolds parses her Albanian ancestry in debut play
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Review: Refuse
Lucy McIlgorm’s tale of a Ukrainian refuse worker is a mixed bag
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Review: Wild Thing!
Wonderfully daft antics give way to bitter eulogy of extinct species
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Review: Bryan Safi: Are You Mad at Me??
A wonderfully goofy show filled with catty one-liners
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Review: Zoë Coombs Marr: The Splash Zone
Charming autobiographical tale deliberately avoids the fast track
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Review: Lily Blumkin: Nice Try
Journey through performer’s past starts strong but fizzles out
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Review: Cecilia Gentili’s Red Ink
New take on Red Ink honours its author’s revolutionary legacy
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Review: Ohio
Haunting harmonies give way to moving exploration of hearing loss
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Review: Paul Sinha: 2 Sinha Lifetime
Savvy and self-aware stand-up from acclaimed brainbox
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Review: Kieran Hodgson: Voice of America
Talented impersonator swipes light-heartedly at US news
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Review: Dream Space
Escapist four-part fantasy for all ages
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Review: Jo Caulfield: Bad Mood Rising
Acid-tongued hour feels a bit like punching down
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Review: Strangers and Revelations
Chiedza Rwodzi’s debut play features flawless performances
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Review: Down to Chance
Makeshift tale of earthquake rescue is surprisingly feel-good
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Review: MARIUPOL
Katia Haddad’s play emphasises the human impact of war
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Review: Seaton Smith: Trauma Bonding
Expert room-reading gets huge laughs from tough topics
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Review: Pedro Leandro: Soft Animal
Natural starpower carries gentle hour of comedy
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Review: Works and Days
Impressive, epic rumination on humanity’s quest to conquer nature
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Review: Copla: A Spanish Cabaret
Dr Alejandro Postigo presents powerful renditions of the songs that made him
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Review: K Mak at the Planetarium
Dreamlike soundscapes meet underwhelming visuals
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Review: LOLA: A Flamenco Love Story
Impassioned tale of resilience spans Franco’s Spain and 60s London
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Review: When Billy Met Alasdair
Speculative tribute to two Glasgow icons
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Review: Imago
An incredibly impressive feat of acrobatics, staging, and sound design
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Review: Club NVRLND
A queer-pop fuelled restaging of Peter Pan, full of nostalgic club bangers
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Review: Kim Blythe: Cowboy
The newcomer contends with the screen-to-stage transition in this sharp new hour
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Review: MILES.
A striking play which affirms the complex and brilliant legacy of the artist
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Review: Hot Mess
Entertaining musical romcom about the climate crisis
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Review: HAMLET by New York Circus Project
Innovative and highly visual approach to Shakespeare
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Review: Dance People
Interactive dance performance that ignites and unites audiences
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Review: Blaze FM
A moving insight into a significant UK subculture
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Review: Heidi Regan: Jekyll and Heidi
Beautifully crafted, naturally delivered hour of low-key stand-up
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Review: Driving in Circles
Musical theatre show taking audiences from rage and alienation to moments of bliss
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Review: Lucy Pearman: Lunartic
Surprisingly polite hijinks from the frequently brilliant absurdist comic
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Review: Up! by Visible Fictions
All-ages show does a lot with a little
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Review: Another Sight
An immersive piece of theatre in the dark
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Review: Scaramouche Jones
Fringe veteran Thom Tuck revives clown in Justin Butcher’s 20-year-old play
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Review: Anthem for Dissatisfaction
An electrifying reminder of the power of music in trying times
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Review: Joe Kent-Walters is Frankie Monroe: DEAD!!! (Good Fun Time)
‘Yorkshire’s biggest bastard’ returns from the dead for more dishonest fun
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Review: Sinead Walsh: Bye Bye Baby
Warmly delivered tales of navigating growing pains
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Burt Williamson: 104kg of Pure Banter
Cantankerous third hour from off-beat contrarian comic
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Review: SKYE: A Thriller
Sophisticated suspense story from debut playwright Ellie Keel
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Review: James Trickey: Don’t Count On Me
Impressive debut from chartered accountant turned stand up
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Review: She’s Behind You
Scottish panto royalty Johnny McKnight dissects and celebrates the artform
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Review: David’s One-Man Band (F*ck You, Steven)
Musical character comedy that is an ode to mid-noughties emo
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Review: Prashasti Singh: Divine Feminine
A compelling, drily delivered exploration of polite society with enigmatic charm
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Review: Ali Brice Presents Eric Meat Gets the Chop
Ali Brice dusts off the suit and tie and returns to his absurdist alter-ego
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Review: Kate Dolan: The Critic
A wild assault of jokes, voices, act outs and asides
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Review: Rosa Garland: Primal Bog
Nonsensical but endearing merging of clowning and comedic performance art
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Review: Liam Withnail: Big Strong Boy
Tale of leaving home makes for delicately balanced stand-up with huge laughs
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Review: Jordan Gray: Is That a C*ck in Your Pocket, or Are You Just Here to Kill Me?
With expectations sky high, Gray stylishly rides out her second rodeo
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Review: Jumper Bumps
Feminist two-hander is well acted but over-written
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Review: Ismael Loutfi: Heavenly Baba
A hilarious and confident debut from the Floridian comic
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Review: Alana Jackson: Last Orders
Confident hour of observational stand-up
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Review: Mind How You Go
Warm, whimsical but frustratingly scattered musical hour
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Review: Liz Guterbock: Nice
Self-reflective tale of being American in the UK
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Review: Stuart Laws Is Stuck
A brain scrambling kinda-whodunnit from the Fringe veteran
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Kids Review: The Listies: Make Some Noise
Edie, seven, enjoys laughing with The Listies
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Kids Review: The Flying Bubble Show
A mesmerising display of bubbles
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Kids Review: Mr Sleepybum’s Dream Machine
Alvie, four, has a great time with Mr Sleepybum
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Review: Paldem
Writing with the electric chemistry and quickfire wit of a great romcom
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Review: Ozzy Algar: Speed Queen
An ode to Britain’s faded camp glamour set in the Isle of Wight’s last surviving launderette
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Review: Amazons
A trenchant critique of the silencing of women’s voices
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Review: AETHER
Ambitious hour that celebrates the dizzying, vertiginous joy of the unknown
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Review: Josie Long: Now is the Time of Monsters
Long is on terrific form with a deceptively rousing prehistory show
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Review: Circa: Wolf
Exceptional creativity performed with unmatched skill
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Review: Pigs Fly Easy Ryan
Anarchic side-swipe at climate offenders is an energetic oddity
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Review: Lady Macbeth Played Wing Defence
Contemporary spin on Shakespeare’s Macbeth trades in the battlefield for the netball court
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Review: Jaz Mattu: Everyone is Here
A headscratcher that blurs the line between deadpan comedy and performance art
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Review: Scatter: A Horror Play
A florid script with a mixture of sinister folklore and contemporary male anxiety
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Review: Eric Rushton: Innkeeper
Midlander finds dark emotional truth in despair
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Review: Chat Sh*t, Get Hit
Warmly rousing interrogation of female rage
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Review: Caitriona Dowden: Dance Like Everyone’s Dancing
A comic with a charmingly idiosyncratic worldview
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Review: Sibet Partee: Behind
Tale of Tudor obsession is lightly plotted but delivered with gusto
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Review: Douglas Widick: Paperclip
Charming and bizarre nostalgia ride through early internet culture
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Review: The Horse of Jenin
Comedian and theatre maker Alaa Shehada presents his poignant story with irresistible warmth
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Review: A Drag is Born
Edu Díaz’s show is a fun, if underpowered, drag origin story
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Review: BITCH
One of the most committed and acerbic performers at this year’s festival
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Review: The Queen is Mad
An impeccably polished musical theatre three-hander
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Review: Standing in the Shadows of Giants
An intriguing autobiographical portrait of having a superstar sibling
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Review: Betty Grumble’s Enemies of Grooviness Eat Sh!t
A statement of power, collective catharsis and radical joy
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Review: Consumed
Birthday party-set play is heightened and heavy on cliché
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Review: Jain Edwards: She-Devil
The Welsh-born, Manchester-based comedian combines reality and fiction in an offbeat hour of stand-up
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Review: Laura Davis: Despair is Beneath Us
The Edinburgh-based Australian’s latest is a densely crafted stand-up hour
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Review: Lost Lear
An accomplished, slippery production by Dan Colley that goes beyond the classic
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Review: Molly McGuinness: Slob
An affable and warm debut hour
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Review: Hasan Al-Habib: Death to the West (Midlands)
Infectiously effusive hour from the Birmingham comic
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Review: How to Kill a Mouse
A witty and moving debut hour from American stand-up Alex Berr
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Review: Seymour Mace Does Things With Stuff
An hour of wacky, oddball prop comedy
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Review: Twonkey’s Zip Wire to Zanzibar
A slice of pure unsullied anything-goes Fringe
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Review: Dan Tiernan: All In
The award-nominated stand-up continues to excel at the long range bait and switch
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Review: Fisherman Jon: What’s on the End of My Rod? A Clown Odyssey
Multifaceted costumes and props make for an endearing clown-odyssey
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Review: Karen Houge: DREAMGIRL
A burlesque show about collective mistrust that is somewhat misjudged
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Review: Phil Green: A Broken Man’s Guide to Fixing Others
A stand-up hour full of class, heart and laughs, but which could do with paring back
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Review: PHILOSOPHY OF THE WORLD
A brilliantly bonkers, metatextual and high-octane take on outsider artists The Shaggs
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Review: Woody Fu: One Man John Wick
Goofy paean to the ultra-violent action series
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Review: Christopher Macarthur-Boyd: Howling at the Moon
A solid return for the Glasgow comic that revels in self-deprecation
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Review: Cabbage the Clown: Cinemadrome
Debut hour of skilful clownery and queer joy
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Review: Saaniya Abbas – Hellarious
An exploration of sinful actions and cultural taboos
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Review: Dreamscape
A work of hip-hop theatre that is a powerful piece of writing
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Review: Krystal Evans: A Star is Burnt
An inspiring survival tale about years in hospitality
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Review: Holly Spillar: Tall Child
Engaging musical comedy with an otherworldly charm
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Review: Sooz Kempner is Ugly
After experiencing a tidal wave of mediocre insults online, Sooz Kempner concludes that if you need a job done well, you might as well do it yourself
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Review: How To Win Against History
A slick musical comedy jam-packed with gags and wordplay
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Review: Hypnotist Matt Hale – Funbelievable! 90s Rewind
With the charismatic Matt at the helm, this enjoyable all-ages throwback will appeal to the cynics and believers alike
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Review: The Dan Daw Show
In this enervating declaration of sexuality as selfhood, disabled bodies are not only desirable but agential through desire
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Review: Space Hippo
A striking feat of artistry, Space Hippo’s lack of structure nevertheless leaves it feeling a little dull
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Review: Bella Hull: Doctors Hate Her
Hull returns to the Fringe, signature sarcasm and mischievous misdirection in tow
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Review: Ayo Adenekan: Black Mediocrity
An incredibly impressive debut hour from the Edinburgh comic
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Review: Helen Bauer: Bless Her
A commanding, hilarious stand-up hour with pathos to boot
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Review: The Butterfly Who Flew Into The Rave
A relentless feat of endurance from New Zealand choreographers Oli Mathiesen, Lucy Lynch and Sharvon Mortimer
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Review: Sam Nicoresti: Baby Doomer
A blistering, cathartic and vivid exploration of the trans experience
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Review: Nick Hornedo: Watch This When You Get Home
This tale of teenage crushes has lots of potential, but blows it by burying the lead
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Review: THIS IS NOT ABOUT ME.
This compelling love-story is brought to life by a pair of magnetic performances
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Review: Jonny Woo: Suburbia
Suburbia is a rip-roaring hour of cabaret, memoir and drag from the London stalwart
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Review: KINDER
Reflections on drag, family and kindness make up Ryan Stewart’s complex and graceful show
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Review: I Dream in Colour
A semi-autobiographical, solo snapshot raising questions of bodily autonomy
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Review: Jodie Sloan: Is She Hot?
A unique social media experience is the catalyst for Jodie Sloan’s creative debut
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Kids Review: The Box Show
Three seven-year-olds – Oran, Alba and Roo – share their thoughts on Junkyard Beats’ high energy musical extravaganza
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Review: Mary O’Connell: Dilly Dally
With easy charisma, Mary O’Connell delivers a tightly woven hour about late-twenties growing pains
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Kids Review: Olaf Falafel’s Stupidest Super Stupid Show
Oran and Roo, both seven, are delighted by the sheer volume of poo jokes
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Review: MADONNA ON THE ROCKS
One-woman musical exploring post-partum depression
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Review: Dan Rath: Tropical Depression
Strong joke-writing punctuates a self-conscious, low-energy hour
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Review: Nerds: The Bill Gates vs. Steve Jobs Comedy Musical
Big brash musical about the beginnings of the PC era
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Review: Cat Cohen: Broad Strokes
The Edinburgh Comedy Award winner returns with another tightly crafted hour
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Review: Derek Mitchell: Goblin
A pitch-black character comedy from Derek Mitchell that nails its period details
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Review: Sharon Wanjohi: In The House
The comedy writer brings her TV writing chops to the stage, with a debut that takes aim at the wellness industry
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Review: Rift
Gabriel Jason Dean’s play is an intriguing condemnation of liberal failure
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Review: Her Raving Mind
A gritty three-hander that is at times unfocused, but leaves a lasting impression
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Review: Pickled Republic
Sentient vegetables face the existential horror of their fast approaching sell-by date
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Review: Kevin James Doyle: Wild Card
An entertaining hour where the audience provides the prompts
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Review: Amy Mason: Behold!
Deadpan and intimate, Amy Mason’s unapologetic show recounts the comic’s absurd experience of being hacked
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Review: The Genesis
Copenhagen Collective’s Fringe debut is a crowd-pleasing spectacle
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Review: Lucky Tonight!
Afreena Islam-Wright looks back on her British-Bangladeshi upbringing via an interactive pub quiz-cum-theatre show
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Review: No Apologies
A defiant and arresting show from Emma Frankland about wishful thinking
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Review: Kit Loyd: Frenzy
Kit Loyd puts in a committed performance, but strong execution fails to lift his derivative mime show
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Review: Lorna Rose Treen: 24 Hour Diner People
The character comedian outdoes her previous show with another slick hour that blends cringe humour with surrealism
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Review: Relay
Smart and sharp punk musical comedy from writer Leila Navabi
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Review: Andrew Doherty: Sad Gay AIDS Play
Andrew Doherty’s satirical play-within-a-play sends up the nature of arts council funding in the UK
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Review: Women in Socks and Sandals
Feats of physicality uplift this wordless show from Denmark, which is in need of a stronger through line
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Review: Dylan Adler: Haus of Dy-lan
Dylan Adler’s delightfully campy, autobiographical hour is just slightly curtailed by over-ambition
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Review: PALESTINE: PEACE DE RESISTANCE
Irish-Palestinian comic Sami Abu Wardeh’s densely layered Fringe comeback roars with defiance
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Review: Voyeur / Samba and Love
São José dos Campos Dance Company brings us a striking double bill which captivates and inspires
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Review: Thor Stenhaug: One Night Stand Baby
Norwegian comedian Thor Stenhaug’s cheerful standup is a welcome dose of positivity
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Review: Red Like Fruit
A captivating and challenging 75 minutes from Canadian playwright Hannah Moscovitch
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Review: Toussaint Douglass: Accessible Pigeon Material
A brilliant and relatable debut exploring generational weirdness
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Review: Cerys Bradley’s Queer Tales for Autistic Folk
With more structure, Cerys Bradley’s relaxed show about an adult autism diagnosis could become something special
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Review: Old God
There’s something in Alec Jones-Turjillo’s garrulous period pantomime. Maybe too much, in fact
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Review: Laura Benanti: Nobody Cares
A cathartic, confessional and self-deprecating hour from the Tony Award winner
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Review: Chunky Jewellery
Nuts and touching in equal measure, longtime friends Natasha Gilmore and Jude Williams deliver a bittersweet delight
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Review: Zainab Johnson: Toxically Optimistic
A confident hour of solo stand-up from the American comic
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Review: Champions
A reflective and meditative portrait that provides an outline of dysfunction
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Kids Review: Treeeeee
Emmy, four-and-a-half years old, has a good laugh alongside her grown-ups
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Kids Review: Once Upon A Flowerbed
Emmy, four-and-a-half years old, makes some new friends
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Review: Make It Happen
James Graham’s tale of cataclysmic collapse is both spectacular and highly memorable
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Review: jessica aszkenasy: TITCLOWN
A delightfully bizarre hour of clowning and breast-based comedy
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Review: #CHARLOTTESVILLE
A passionate and stirring docudrama from Priyanka Shetty
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Review: John Tothill: This Must Be Heaven
For Tothill heaven is a place on earth, and that place is his sofa with a Rustler’s burger in hand
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Review: Ben Pope: The Cut
Charisma abounds in Ben Pope’s personal and endearingly breathless comeback hour
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Review: Chokeslam
A detailed, unfiltered one-woman dive into pro-wrestling interwoven with personal insights
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Review: Grace Mulvey: Did You Hear We’re All Going To Die?
The Irish comic dances around big subject matter in this follow-up to her debut
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Review: Michelle Brasier: It’s a Shame We Won’t Be Friends Next Year
Another warm and affecting hour of music and storytelling from one of Australia’s finest
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Review: Lou Wall: Breaking the Fifth Wall
The Aussie comic takes on the very nature of stand-up with more meme-heavy musical comedy
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Big Name, No Blankets
An ideal introduction to a trailblazing band whose music still resonates 40 years after it was first recorded
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Innocence
An exquisitely realised performance
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Adult Bubble Show
An irresistibly original spectacle
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Something Wicked.. a bewitching burlesque
A passionately dark and powerful burlesque bewitching the audience
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Hedwig and the Angry Inch
A tender exploration of identity, transformation and the nature of love
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Krapp’s Last Tape
A version of Beckett’s classic that is bereft of the vigour and confidence
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Dear Diary
A comedic, vulnerable recollection of girlhood and what we hold onto
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Shellshocked
A powerful, soul-stirring play that confronts the horrors of war
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Kirsty Mann: Skeletons
An stand-up with funny bones
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Clay McMath: In Over My Head
A confident display from a growing local talent
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Daniel Muggleton: You May Be White, I May Be Crazy
An excellent stand-up hour that feels genuinely unique









