Lady Boy shows have been a major nightlife attraction in Thailand for over 50 years, first emerging in Pattaya to draw tourists into bars and nightclubs. While initially seen as a new form of transvestite entertainment, these shows and their “Lady Boy” performers are rooted in much older traditions. Dr. Richard Totman, a British social scientist, has studied the culture, explaining that in Thailand (formerly Siam), people born male have long adopted female roles, known as kathoey. These individuals have historically held a respected, recognised position in Thai society, with the Likay performances at country fairs being an early precursor to modern cabaret shows.
Kathoey are often regarded as a third gender, occupying a space between male and female, consistent with Buddhist and Hindu teachings. This concept doesn’t have a direct counterpart in Western culture, and the term “transvestite” doesn’t fully capture the meaning of kathoey.
The Lady Boys of Bangkok cabaret show, founded by Phillip and Carol Gandey in 1998, was the first of its kind in Europe. Phillip spent two years perfecting the production for the competitive Edinburgh Festival Fringe. Though audiences were initially cautious, word spread, and the show eventually reached London’s Queen’s Theatre. Since then, it has grown into a dynamic, glamorous, and professional performance that has captivated audiences across the UK and beyond.
After Phillip’s passing in 2023, I took on the legacy and I hope that The Lady Boys of Bangkok continues to thrive under my creative direction, constantly evolving to people’s tastes. The show’s celebration of gender inclusivity and joyful, high-energy entertainment has made it a beloved experience for people of all backgrounds, some would say trailblazed people’s acceptance and gave diversity a visible platform. I’m excited that this February, the show makes its debut at the Adelaide Fringe Festival.
The Lady Boys of Bangkok, Gluttony, until 23 March