People looking to connect with nature and live at a slower pace can be prone to romanticising life on a farm without realising just how much work it is. This non-verbal, physical theatre piece by Belgian theatre collective FC Bergman depicts the brutality of working the land and raising livestock in stark relief. Based on the ancient Greek didactic poem of the same title, the performance is an impressive, epic rumination on humanity’s quest to conquer nature and how it fights back.
FC Bergman is known for their design-forward concept, which is also the case in this production. Though unassuming at the start, several surprises variously emerge, erupt, or are erected from what looks like a nondescript stage. These are often initially funny, shocking or both. In these, and through other interactions with the space, it becomes a character that the ensemble cast attempt to control. Sometimes they are successful, and sometimes not. Both outcomes are moving due to the sheer lack of effort exerted.
Both human and animal life cycles are also a part of the narrative. Some of these are inherently violent, others are peaceful or celebratory, but all provoke strong emotional responses. Though there is one ethically questionable moment, and an ending that significantly diverges from the dominant theme, this is a powerful show that particularly resonates as the climate becomes increasingly unpredictable. That it is shared without words and only through ensemble movement and live music makes it all the more spectacular.
Works and Days, The Lyceum, 9 Aug, 8pm; 10 Aug, 3pm