Generational trauma is a theme that has been mined by many a comic at the Fringe, some with wildly more success than others. Making his highly anticipated debut this year, Toussaint Douglass presents his own take on this well-trodden subject matter, but with the added question: what, or who, makes us weird? Can generational weirdness be just as significant as generational trauma?
Armed with a pair of binoculars, Douglass endearingly welcomes his audience into the sweaty confines of the Pleasance Bunker, the environment seemingly at odds with the singular pigeon that sits in the middle of the space, haphazardly taped to a remote control car. You might think you know exactly what kind of show this will be based on first impressions – there’s Douglass’ sweetly whimsical persona, his awkward delivery, the briefcase, bag of props and tiny black notebook he brings on stage – but underestimate it (and him) at your own peril.
Yes, Accessible Pigeon Material is fundamentally a show about pigeons – an animal, by the end, we can all agree has been overlooked for far too long – but it’s also about grief, masculinity and unconditional love. With his expert crowd work, subtly brilliant storytelling and relatable conversations on otherness as a neurodivergent person of colour, Douglass presents a debut that is charmingly odd, but packs a punch where it matters.
Toussaint Douglass: Accessible Pigeon Material, Pleasance Courtyard, until 24 Aug (not 11), 7.25pm