Tag: Review
-

Review: The Plot
An intriguing tangle of misguided loyalties and thwarted ambition is weighed down by a dense script
-

Review: When Prophecy Fails
groupwork’s UFO tale in the 1950s American midwest gives the eerie, hypnotic feeling of being in a cult
-

Review: Mere Mortals
Stunning execution turns San Francisco Ballet’s simple concept into something enthrallingly beautiful
-

Review: Lions
Physical comedy duo Lightning Rod Special find the funny in the grieving of their fathers
-

Review: Clown Show
Studied haplessness makes for a brilliant, satirical, physical comedy from Geoff Sobelle and co.
-

Review: If I can’t Dance I’m Not Coming
This Metropolis-inspired dance piece possesses a bold conceptual premise, but lacks exposition
-

Review: Border Bodies
T.F. Dance Company’s exhilarating dance piece Border Bodies explores the politicisation of movement
-

Review: Marc Jennings: If & When
Marc Jennings shows why he’s one of the most versatile and strongest all-round stand-ups in Scotland
-

Review: Flamenc Oh!!
Fusion of pantomime and panto-style slapstick fails to uplift either art form
-

Review: Aliens
A mother and daughter experiment, Aliens is a multi-lingual exploration of heritage and migration
-

Brendan Scannell: The Abyss
Part standup, part monologue, The Abyss sees Brendan Scannell dive deep into his own trauma and upbringing
-

Review: Katie Norris: Mother Succubus
Katie Norris embraces her Mother Succubus alter-ego as fiercely cynical agony aunt for younger women
-

Review: Alfie Dundas: First Class Panic
Alfie Dundas’s reflections on his privileged upbringing hits a snag after some destabilising crowd work
-

Review: Giraffe
Abigail Weinstock’s quirky new solo play follows a young girl as she stands accused of stalking her neighbour
-

Review: Burger and a Pint: Treats for the Soul
Sketch comedy duo Burger and a Pint explore compromised masculinity with easy chemistry
-

Review: HAM
This Hamlet-skewering two-hander opens a window to processing eco-grief
-

Review: SLAYERS by Corinne Salisbury
SLAYERS’ exploration of violence and the manosphere builds tension even when it occasionally lacks clarity
-

Review: John Kearns: Tilting at Windmills
John Kearns may be at a crossroads in his life, but on stage he’s exactly where he ought to be
-

Review: Frankie McNair: Huge Ass Mindset
Frankie McNair’s show excavates childhood trauma with humour
-

Review: Adam Flood: Life and Death of the Party
Adam Flood’s relentless exploration of millennial anguish is bombastic, but in need of some fine tuning
-

Review: Kate Dehnert: Echo
Kate Dehnert’s emotional show explores the fall-out from a ten-year relationship
-

Review: Zoe Wohlfeld: Dog Funeral
Zoe Wohlfield delivers a committed performance exploring grief as she stages a funeral for her furry best friend
-

Review: Mohan: A Partition Story
Gifted storyteller Niall Moorjani brings their grandfather’s boyhood partition memories to life with warmth, wit and vulnerability
-

Review: Ele Mckenzie: Bringing It All Back Home
Ele McKenzie bears her heart, soul and body in her debut comedy hour
-

Review: INDY!
This satire of the Indiana Jones trilogy has roots in postmodern panto
-

Review: Robin Grainger: Lemonade
Robin Grainger makes his anticipated Edinburgh Fringe return with Lemonade
-

Rob Copland: ONE (more please)
Rob Copland grapples with professional woes and becoming a father in his latest show
-

Review: Jill’s Tupperware Party
Interactive kitsch nightmare has the makings of a future cult classic
-

Review: Angels in America
Internationaal Theater Amsterdam reimagines Tony Kushner’s contemporary classic Angels in America
-

Review: BIRDS: Alex Hines and Sarah Stafford
Beckettian Aussie Absurdism from Sons of Susan
-

Review: Ed Night: We’ll Be Alright, Darling
Ed Night delivers a tight set that is as introspective as it is mischievous
-

Review: Josh Pickar: Getting Off
The comedian draws on his past as a death row lawyer to examine the US justice system
-

Review: Rob Auton: JUPITER
Rob Auton’s shaggy dog tale is an elaborate vehicle for his mix of standup and storytelling
-

Review: The Trials of Magnus Coffinkey
A steampunk allegory exploring baby loss and grief within a couple
-

Review: SUCCUBUS
Themes of queer liberation and sexual awakening run through this addition to the carnivore horror genre
-

Review: The Singer
A moving piece of musical theatre exploring ableism and inclusivity
-

Review: Marty Gleeson: Dog Ear
Gleeson squeezes meaning into every line that she can, but backs herself into an imaginative corner
-

Review: Tia Rey: Oot Ma Banger
Hotly-tipped Glaswegian comic Tia Rey gives us a charismatic hour exploring psychedelics
-

Review: ROLEPLAY
Hannah Reilly’s show asks whether female sexual empowerment can survive commercialisation
-

Review: Selina Mosinski: Puss in Boots – A Working Class Fairy Tale
Fringe fairytale debut from Charity Shop Sue shows great promise but offers little levity for the audience
-

Review: Jonno: Here Comes Mr Funny
The debut Fringe show from Jonno, SNL UK’s head writer, is unsurprisingly excellent
-

Review: Bunny!
In Bunny!, a villainous would-be starlet turns murderous after one rejection too many
-

Kid’s Review: Glob
Alvie, five, enjoys the new circus adventure from Les Foutoukours
-

Review: The Palestinian Circus: Step and a Half
Step and a Half celebrates Palestinian culture while expounding joy as resistance
-

Review: Madeleine Brettingham: Legend
Warm, weighty debut exploring geezer culture from natural comic Madeleine Brettingham
-

Review: not for glory
not for glory sees three performers reclaim the traditional dance and music of their childhoods
-

Review: Sam Eley is Basil Crumbwick: Soul Sewage
Sam Eley debuts as Basil Crumbwick, his papier-mâché-headed alter ego
-

Review: Crybabies: The Scaring
A surprising, stellar third show from the Crybabies, exploring a washed-up exorcist who takes on one last gig
-

Review: Larry Dean: Hellbent
Slick, effortless comedy from stand-up and Saturday Night Live UK star Larry Dean
-

Review: Scout Boxall: God’s Favourite
Written and polished to within an inch of its life, God’s Favourite lands as theatre just as much as stand-up
-

Review: Li Jin Hao: Falling From a Moon
Li Jin Hao’s hour possesses a weighty structure but sometimes errs too far into overblown whimsy
-

Review: Kemah Bob: Love Child
An upbeat, joyful second hour from Fest cover star Kemah Bob
-

Review: Man or Bear
Smart, powerful kitchen sink storytelling examining abuse and coercion
-

Review: Bog Witch
Bryony Kimmings’ new show explores escapism and eco-anxiety in the English countryside
-

Review: Roger Prick: Sexopolis
A raucous hour charting a fictional 70s pornographer’s journey from precocious leery youngin to sleazy Soho entrepreneur
-

Review: Amanda Knox: Cartwheel
Despite its controversial reputation, Amanda Knox’s comedy debut is surprisingly placid
-

Review: Freddie Meredith: Need a Light?
Freddie Meredith embodies a recognisable archetype: the guy determined to be seen as a nightclub legend
-

Review: Gareth Waugh: Is Pepsi OK?
Gareth Waugh unpacks a cracking Fringe-show tale with some nice true-crime touches
-

Review: Mark Vigeant: OUT THERE
Mark Vigeant’s high-energy character comedy is an amusing hour, but pulls punches
-

Review: EVITA TOO
Fringe legends Becca Biscuit and Louise Mothersole positively outdo themselves with EVITA TOO
-

Review: Jordan Brookes: The Part of You That’s Always Screaming
Jordan Brookes is a juggernaut spectacle of disturbing fascination
-

Review: The Yellow Wallpaper
Charlotte Perkins Gilman’s short story The Yellow Wallpaper is adapted into a compelling dance thriller
-

Review: Cathy
Elaine C Smith plays a newly-widowed Glaswegian matriarch of old-school character
-

Review: Ania Magliano: Peach Fuzz
SNL UK’s Ania Magliano performs a sophisticated show with precise and effortless delivery
-

Review: Eric Rushton: Could Well Be In
Eric Rushton delivers an hour reflecting on his mum and his upbringing with seven siblings
-

Review: Chip and Gus: A Comedy with Balls
In this odd couple comedy, two performers exchange quips over table tennis
-

Review: Maya Ricote: Ay Am!
For her debut hour, Maya Ricote embodies a parodic version of a telenovela star
-

Review: Olga Koch: Fat Tom Cruise
The comedian follows up last year’s standout show with a polished, high-production hour
-

Review: Adi Parmar: Sunny Boy
Deeply autobiographical debut introduces us to a confident, prismatic new stand-up
-

Review: Milo Edwards: Catamaran
A truly sensational hour of standup exploring grief, love and family
-

Review: Bigfoot Ripped My Dog in Half I Saw It
With their unparalleled chemistry it’s easy to see why Xhloe and Natasha are the names on everyone’s lips
-

Review: The Librarians: A Very Serious Comedy!
The Librarians is an unashamedly old-fashioned farce that revels in stereotypes
-

Review: Hasan Al-Habib: Stuck in the Middle (East) With You
Hasan Al-Habib’s polished show can’t quite support a late dramatic tone shift
-

Review: Dan Kelly: How I Went to Every Supermarket in the World
Funny, travel-obsessed stand-up sells us a slice of life as a supermarket data collector
-

Amy Matthews: Definitions of Toast
Amy Matthews takes on heavy subjects with aplomb, in this tightly structured set
-

Review: Lizzy Hoo – Says Hoo?
Lizzy Hoo delivers a polished hour with outstanding writing and delivery
-

Review: Skank Sinatra: How to Succeed in Show Business Without Really Trying
Despite technical talent, Jens Radda could deliver something fresher in future
-

Review: The Galloping Cure
This Kafka adaptation is a dark opera take on the opioid crisis, with music from Missy Mazzoli
-

Review: Nate Kitch: Replica
Nate Kitch delivers an hour of jazz-inspired deconstructionist, experimental comedy
-

Kids review: The Listies 110% Ready
We take Oran (8), Eric (8) and Jimmy (11) to The Listies: 110% Ready
-

Review: Matthew Gallagher: Last Minute
Scattergun hour is delivered with commitment and energy but lacks focus
-

Review: Patient 13
Gail Thomas’s charming autobiographical drama is a play of two rather disparate halves
-

Review: Tamsyn Kelly: Rat’s Ass
Crucial, well observed and all-too contemporary stand-up hour hails Tamsyn Kelly as one to watch
-

Kids Review: Madame Chandelier’s Grand Theft Opera
Alvie, aged five, is impressed with Delea Shand’s cool giant butterfly wings
-

Review: Alex Franklin: Kiss Me x
Gleefully nerdy new hour from Alex Franklin
-

Review: Jennifer Jane: Happy Tea
Jennifer Jane is an extraordinary person telling an extraordinary story, in no-frills fashion
-

Review: Joseph Morpurgo: Highlander 70
Joseph Morpurgo’s long-awaited Fringe return is a comedy masterclass
-

Review: Metroland Live: As Seen On TV
Metroland start strong and fizzle out with the TV-themed follow-up to their debut
-

Review: Man Sings Same Song Over and Over Again for an Hour
Man Sings Same Song Over and Over Again for an Hour does exactly what it says on the tin
-

Review: Sapphire McIntosh: Squeaky Bum Time
Ex-footballer Sapphire McIntosh delivers a confident stand-up debut that nevertheless isn’t quite a clean strike
-

Review: A Trial – after An Enemy of the People
Brazilian director Christiane Jatahy performs open surgery on Henrik Ibsen’s 1882 classic
-

Review: Mayflies
Faithful adaptation of Andrew O’Hagan’s coming-of-age novel is at home in a Leith warehouse
-

Review: B48Y Crash Lands on Earth!
Lukas Meintjes’ camp clowning show sees an alien crash land into a gay nightclub
-

Review: Sami Abu Wardeh Hates You
For his sophomore show, Sami Abu Wardeh offers a personal hour exploring his family and upbringing
-

Review: Elf Lyons is The Woman on the Edge
Elf Lyons delivers her most personal piece yet, a must-see journey from heartbreak to rediscovery
-

Review: Jess Fuchs: Feral
Jess Fuchs archly engages with the regressive impulses of the post-feminist moment
-

Review: Rory Marshall: Thank You for the Opportunity
Rory Marshall goes broad with characters that lack a sharper, more defined edge
-

Review: Ifrah Qureshi: 48 Flaws of Power
Ifrah Qureshi’s debut Fringe hour engages with one of the manosphere’s canonical texts
-

Review: Amanda Dwyer: Better Than Revenge
Amanda Dwyer’s debut show flips easy survivor narratives on their head for a caustic, complicated hour
-

Review: Eva Peroni: Jungled
Potently leftist yet politically incorrect, Eva Peroni’s gleeful bravado glosses over the young comic’s contradictions
-

Review: Sophie Duker: Hot Beef Injection
Sophie Duker offers a fresh and charming voice to the discourse on male loneliness
-

Review: Jonathan Oldfield: Exquisite Corpse
Jonathan Oldfield’s unpredictable debut show stitches together sketch comedy gold
-

Review: UNDERGROUND MONK SHOW
Four monks discover the power of water in this miraculously silly cult favourite sketch show
-

Review: Andrew Doherty: Reviewers Welcome… TO DIE!
Andrew Doherty’s camp horror is amusing, but can feel unsophisticated, formulaic and shallow
-

Review: Mrs Stern Wanders The Prussian State Library
A tense exploration of anti-Semitism in the totalitarian Nazi state is let down by the toothless characterisation of one of its villains
-

Review: Kate Hammer: Government Approved Comedian
Kate Hammer’s frantic Fringe debut is themed around the bureaucratically taxing process of visa applications
-

Review: Gareth Mutch Means Well
Even Gareth Mutch’s natural talent and likability can’t save a poorly defined and under-developed show
-
![Review: [seagull]](https://festmag.com/wp-content/uploads/sites/2/2026/07/pressYVDE7112-1-1-1.jpg)
Review: [seagull]
Olympique Dramatique’s [seagull] is a poignant, textured reimagining of the Chekhov classic
-

Review: 11½ Angry Men
Despite a stacked comedic cast, a weak script leads to a lacklustre overall performance
-

Review: Depths of Wikipedia
Annie Rauwerda turns her popular Instagram account @depthsofwikipedia into a fully-fledged comedy show
-

Review: Sid Singh: Love Bombing
Sid Singh reflects on the role of political comedy amid global crisis in an earnest, likeable hour
-

Review: Rosco McClelland: The Bones
Naturally funny Rosco McClelland has the bones of a killer show, which just needs fleshing out
-

Review: How to Art
This absurdist art world satire riffs off of Maurizio Cattelan’s infamous banana stunt to mixed effect
-

Review: Prophets
Prophets examines oppression and abuse of power within religious cults, but adds little to the conversation
-

Review: Jack Brookmyre: Impressionable
Jack Brookmyre offers up whip-smart storytelling, savvy observations and caustic gags
-

Review: PLASTIC
Minyoung Kim crafts a startlingly cinematic musical journey deep into ancient pasts and visionary futures
-

Review: Chris Rutter: Ignorance Is Chris
Chris Rutter’s debut set is calmly delivered, full of solid gags with similar beats
-

Review: REDACTED: The Cover-up of a Cover-up of a Cover-up
The tightly-packed comedic conspiracy thriller delivers big performances and smart sight gags
-

Review: Demi Adejuyigbe Sells Out
Demi Adejuyigbe delivers a skilful hour with super sharp comebacks and chaotic energy
-

Review: Long Way Home
Layla Warren unpacks her journey from 1980s Iran to LA via London in a solo storytelling show with warmth
-

Ethan & Gigi Present: THE MOVEMENT
At every moment THE MOVEMENT shrouds itself in glory and kicks itself in the nuts
-

Review: John Achkar: His country is collapsing. He’s having a baby. So obviously, this is the right year for a Lebanese comedian you’ve never heard of to try English stand-up for the first time
Lebanese comic John Achkar’s nascent English-language career gets off to a promising start
-

Review: Abby Govindan: Pushing 30
Abby Govindan’s tour de force personality shines through despite an underpowered Fringe debut
-

Review: Paul Hilleard: Grogg
Hotly anticipated debut showcases some great observational comedy but tends towards gloom
-

Review: Jack Ansett: Looks Like a Bit of Me!
Disparate routines don’t quite come together for New Zealander Jack Ansett’s Edinburgh debut
-

Review: Finlay Christie: Champagne Casanova
A laidback, winsome approach from Finlay Christie falls short of the mark
-

Review: Chris Cantrill: Rewilding
This shaggy dog story about rural Northumberland is confidently handled, but searches in vain for a worthy climax
-

Kids Review: The Spencer Jones Experimental Kids Show
5 year-old Alvie couldn’t stop laughing at Spencer Jones’ silly props and faces
-

Kids Review: Darryl J Carrington: Out of the Box
Oran, aged eight, takes a trip to see Darryl J Carrington’s wordless physical comedy show Out of the Box
-

Review: Badgers
A podcaster and a folk singer team up in this cross-genre clarion call to creativity
-

Review: Krapp’s Last Tape
An admirable Beckett revival, bolstered by David Westhead’s commanding performance
-

Review: House Fly
An unstoppably silly, gleeful fly-drag show from clown Tess O’Shea
-

Review: The Buddha Wears Prada
American stand-up Sofia May delivers a takedown of a not-yet-infamous cult leader
-

Review: Kate Butch: A Kate in the Hand is Worth Two in the Butch
After a variety hour in 2024, Kate Butch shows she can tackle straight stand-up with wit and emotional weight
-

Review: Dee Allum: Raumdeuter
Admirably honest, upbeat stand-up is a joy to spend time with
-

Review: Tale of the Firebird
There’s no denying the commitment and bravery on show in Freestyle Orchestra’s classical music and acrobatics mash-up
-

Kids Review: Black Blues Brothers: Let’s Twist Again!
Edie, eight, is stunned by the Black Blues Brothers’ amazing acrobatics
-

Review: The Second Best School Shooting
The Second Best School Shooting shows the level of depth and sensitivity two actors can achieve with a strong script
-

Kids Review: Romeo and Juliet for Bairns
Clara, two, has a lovely time with a Shakespeare adaptation at the Scottish Storytelling Centre
-

Review: Blackbox
Rickerby Hinds eschews his hip hop trademarks in favour of fervent direct address, which works despite Blackbox’s rushed ending
-

Review: Lara Ricote: INKLING
Lara Ricote embraces the power of three for an occasionally rapturous third show
-

Review: Cecily Hitchcock: Family Recipe
Cecily Hitchcock dishes up a brilliant debut about growing up sticking out, with a double helping of charm
-

Review: Stanislavski Can’t Save Me From The Apocalypse
Playful take on end of the world dramas sees theatre camp leaders contend with the apocalypse
-

Review: Hannah Platt: Cult Classic
Rising star Hannah Platt tries to convert us to her cult in an enjoyable hour that could go deeper
-

Review: Lil Wenker: BOYKING
Energetic and loud tale of a tyrannical young prince relies on a lively audience
-

Review: Figures in Extinction
Extraordinary, unique and emotion-firing performance
-

Review: Breaking Bach
Street dance meets classical in atypically fitting mash-up
-

Review: IV – Here & Now Showcase
Fourth piece in dance series struggles to land
-

Review: Delusional – I Killed a Man
Diana Salles breathes new life into the trans rebirth metaphor
-

Review: Canvas of Sound with Tazeen Qayyum
Cross-medium collaboration between calligraphy and music
-

Review: Faustus in Africa!
Witty and sometimes harrowing display of puppet power
-

Review: Tom at the Farm
A tedious exploration of important issues, despite its epic scale
-

Review: The Quiet Earth Beneath
Personal story of memory and bereavement that is visually transporting
-

Review: A Small Town Northern Tale
Heartfelt solo piece from writer/performer Nathan Jonathan
-

Review: Athens of the North
Interlinked tales of Scots’ inner lives recall Greek tragedies
-

Review: Theo Mason Wood: Legalise Kissing
Tale of a recent break-up with twinkly swagger and a knowing wink
-

Review: Daniel Muggleton: You May Be White, I May Be Crazy
Solidly entertaining observations from the easygoing Australian stand-up
-

Review: SLUGS
Sweet and strange antics descend into sweaty DIY fever dream
-

Review: The Alchemy of Sadness
A fascinating conversation around power imbalances that feels stilted
-

Review: JEEZUS!
Fun and filthy musical theatre from Latin America
-

Review: Gianmarco Soresi: The Drama King Tour
Joke-a-minute stand-up expertly skirts the line
-

Review: Jessica Fostekew: Iconic Breath
Fostekew mines the routinely domestic for comedy gold
-

Review: Cirque Kalabanté: WOW (World of Words)
A showcase of true dedication and skill
-

Review: Pussy Riot: Riot Days
Raw, unapologetic and defiant show from the Russian protest art collective
-

Review: Is There Work on Mars?
Imperfect but delightfully absurd sci-fi storytelling
-

Review: I Feel Sick
Matt Jenner’s one-man sketch show falls short
-

Review: Orpheus and Eurydice
Spellbinding new take on a classic
-

Review: Ivo Graham: Orange Crush
Light-hearted, citrus coloured zealotry of the non-sectarian kind
-

Review: Anatomy of a Night
Performance intended as a “love letter” to queer spaces is thinly conceived
-

Review: The Green Knight (But It’s Gay)
Delightfully silly retelling of the medieval classic
-

Review: Mary, Queen of Scots
Scottish Ballet’s thrillingly unapologetic retelling
-

Review: Tell Me Where Home Is (I’m Starting to Forget)
Slick, self exposing one person show
-

Review: Barry Ferns: My Seven Years as Lionel Richie
Scrappy, upstart tale from the Fringe semi-legend
-

Review: Book of Mountains and Seas
Minimalist opera that is meditative and soothing
-

Review: Score
Rich and deeply intelligent confrontation with technologies of control
-

Review: Stepping In… Spilling Out
Gorgeously unfussy performance from dancer Mark Bleakley and percussionist Rémy Gouffault
-

Review: I’m Ready to Talk Now
Oliver Ayres’ solo piece is calm, reflective and unsettling
-

Review: Thanks for Being Here
Ontroerend Goed’s latest show places emphasis on the camaraderie of collective experience
-

Review: C U Later, Simulator
Entertaining otherwordly chaos that mirrors the unpredictability of life
-

Review: The Ego
A well-pitched exploration of the cut-throat world of screen entertainment
-

Kids Review: Cinderella Ice Cream Seller – A Musical
Xavier, six, enters an ice cream parlour
-

Kids Review: The Truth About Trees
Siena, eight, enjoys spending time with puppets
-

Review: Sam Jay: We the People
Drily delivered subversive takes from the US comedian
-

Review: The Insider
Sonically and visually stunning theatre
-

Review: Urooj Ashfaq: How to Be a Baddie
A riotously funny and upbeat insight into deviancy, fuelled by pettiness
-

Review: Tiff Stevenson: Post-Coital
Funny and moving show yearns for a stronger build-up to its climax
-

Review: Elysium
A remarkable theatrical and musical exploration of personal relationships
-

Review: The Nature of Forgetting
Valuable physical theatre with a novel approach to our perception of dementia
-

Review: Youth in Flames
A formidable debut from Mimi Martin
-

Review: Triptic
Rapturous, virtuosic exploration of global folk music
-

Review: Sikisa: Serving Justice
Satire and hilarity chock-full of audience engagement
-

Review: Jonah Non Grata
Simon Kane revives his 20-year-old clown show for its Fringe debut
-

Review: Simple Town
Acclaimed New York sketch troupe bring their smart, absurdist act to the Fringe
-

Review: Kathy Maniura: The Cycling Man
Ingenious send-up of bike obsessives is a cracking ride
-

Review: Jena Friedman: Motherf*cker
Tale of motherhood and grief bristles with righteous anger
-

Review: Managed Approach
Moving and original drama based on the UK’s first legalised red-light district
-

Review: Giselle: Remix
Fresh update of classic ballet explores importance of queer visibility
-

Review: Little Squirt
Darby James’ sperm donation musical has it all
-

Review: Chloe Petts: Big Naturals
Big laughs come naturally in loving look back at lad culture’s problematic zenith
-

Kids Review: The Unlikely Friendship of Feather Boy and Tentacle Girl
Lyra, nine, is wowed by the two artists
-

Young Critics at the Fringe
We sent the Super Power Agency out into the festivals with a group of newly-trained teen reviewers to suss out the best shows for young people this Fringe
-

Review: Shamik Chakrabarti: Despite Appearances
Wry humour and a sharp eye for absurdity
-

Review: Kanpur: 1857
Effortless and enchanting storytelling from Niall Moorjani
-

Review: Wee Man
Barrowland Ballet’s intergenerational show provides a breadth of contributions
-

Review: Jackie!!!
An eccentric, fun joyride through a turbulent time
-

Review: Because
Measured, clean, and masterful performance from Hassan Govia
-

Review: Float
A rich galaxy of complicated emotions in this debut solo show
-

Review: The Beautiful Future is Coming
Compassionate but gloomy play about the climate crisis
-

Review: The Boy from Bantay
Poignant exploration of despair and loss
-

Review: Desiree Burch: The Golden Wrath
An inspirational, inclusive, and thoroughly entertaining hour
-

Review: Killian Sundermann: This Boy is Cracking Up
Much-loved internet comic dives deeper into his Irish-German upbringing in Fringe debut
-

Review: Alright Sunshine
Isla Cowan tackles big topics with a light touch and realistic characters for a hauntingly powerful piece of writing
-

Review: Ayoade Bamgboye: Swings and Roundabouts
An absolute lock-in, don’t-miss-a-thing outburst of talent
-

Review: Susie McCabe: Best Behaviour
Self-deprecating hour is light on ambition but full of charisma and warmth
-

Review: The Burns Project
Warts-and-all telling of Robert Burns’ life makes great use of its unique setting
-

Review: Strangewife
Frazier Bailey’s play intrigues with its unpacking of artifice and modern love
-

Review: In the Land of Eagles
Alex Reynolds parses her Albanian ancestry in debut play
-

Review: Refuse
Lucy McIlgorm’s tale of a Ukrainian refuse worker is a mixed bag
-

Review: Wild Thing!
Wonderfully daft antics give way to bitter eulogy of extinct species
-

Review: Bryan Safi: Are You Mad at Me??
A wonderfully goofy show filled with catty one-liners
-

Review: Zoë Coombs Marr: The Splash Zone
Charming autobiographical tale deliberately avoids the fast track
-

Review: Lily Blumkin: Nice Try
Journey through performer’s past starts strong but fizzles out
-

Review: Cecilia Gentili’s Red Ink
New take on Red Ink honours its author’s revolutionary legacy
-

Review: Ohio
Haunting harmonies give way to moving exploration of hearing loss
-

Review: Paul Sinha: 2 Sinha Lifetime
Savvy and self-aware stand-up from acclaimed brainbox
-

Review: Kieran Hodgson: Voice of America
Talented impersonator swipes light-heartedly at US news
-

Review: Dream Space
Escapist four-part fantasy for all ages
-

Review: Jo Caulfield: Bad Mood Rising
Acid-tongued hour feels a bit like punching down
-

Review: Strangers and Revelations
Chiedza Rwodzi’s debut play features flawless performances
-

Review: Down to Chance
Makeshift tale of earthquake rescue is surprisingly feel-good
-

Review: MARIUPOL
Katia Haddad’s play emphasises the human impact of war
-

Review: Seaton Smith: Trauma Bonding
Expert room-reading gets huge laughs from tough topics
-

Review: Copla: A Spanish Cabaret
Dr Alejandro Postigo presents powerful renditions of the songs that made him
-

Review: K Mak at the Planetarium
Dreamlike soundscapes meet underwhelming visuals
-

Review: LOLA: A Flamenco Love Story
Impassioned tale of resilience spans Franco’s Spain and 60s London
-

Review: When Billy Met Alasdair
Speculative tribute to two Glasgow icons
-

Review: Imago
An incredibly impressive feat of acrobatics, staging, and sound design
-

Review: Club NVRLND
A queer-pop fuelled restaging of Peter Pan, full of nostalgic club bangers
-

Review: Kim Blythe: Cowboy
The newcomer contends with the screen-to-stage transition in this sharp new hour
-

Review: MILES.
A striking play which affirms the complex and brilliant legacy of the artist
-

Review: Hot Mess
Entertaining musical romcom about the climate crisis
-

Review: HAMLET by New York Circus Project
Innovative and highly visual approach to Shakespeare
-

Review: Dance People
Interactive dance performance that ignites and unites audiences
-

Review: Blaze FM
A moving insight into a significant UK subculture
-

Review: Heidi Regan: Jekyll and Heidi
Beautifully crafted, naturally delivered hour of low-key stand-up
-

Review: Driving in Circles
Musical theatre show taking audiences from rage and alienation to moments of bliss
-

Review: Lucy Pearman: Lunartic
Surprisingly polite hijinks from the frequently brilliant absurdist comic
-

Review: Up! by Visible Fictions
All-ages show does a lot with a little
-

Review: Another Sight
An immersive piece of theatre in the dark
-

Review: Scaramouche Jones
Fringe veteran Thom Tuck revives clown in Justin Butcher’s 20-year-old play
-

Review: Anthem for Dissatisfaction
An electrifying reminder of the power of music in trying times
-

Review: Joe Kent-Walters is Frankie Monroe: DEAD!!! (Good Fun Time)
‘Yorkshire’s biggest bastard’ returns from the dead for more dishonest fun
-

Review: Sinead Walsh: Bye Bye Baby
Warmly delivered tales of navigating growing pains
-

Burt Williamson: 104kg of Pure Banter
Cantankerous third hour from off-beat contrarian comic
-

Review: SKYE: A Thriller
Sophisticated suspense story from debut playwright Ellie Keel
-

Review: James Trickey: Don’t Count On Me
Impressive debut from chartered accountant turned stand up
-

Review: She’s Behind You
Scottish panto royalty Johnny McKnight dissects and celebrates the artform
-

Review: David’s One-Man Band (F*ck You, Steven)
Musical character comedy that is an ode to mid-noughties emo
-

Review: Prashasti Singh: Divine Feminine
A compelling, drily delivered exploration of polite society with enigmatic charm
-

Review: Ali Brice Presents Eric Meat Gets the Chop
Ali Brice dusts off the suit and tie and returns to his absurdist alter-ego
-

Review: Kate Dolan: The Critic
A wild assault of jokes, voices, act outs and asides
-

Review: Rosa Garland: Primal Bog
Nonsensical but endearing merging of clowning and comedic performance art
-

Review: Liam Withnail: Big Strong Boy
Tale of leaving home makes for delicately balanced stand-up with huge laughs
-

Review: Jordan Gray: Is That a C*ck in Your Pocket, or Are You Just Here to Kill Me?
With expectations sky high, Gray stylishly rides out her second rodeo
-

Review: Jumper Bumps
Feminist two-hander is well acted but over-written
-

Review: Ismael Loutfi: Heavenly Baba
A hilarious and confident debut from the Floridian comic
-

Review: Alana Jackson: Last Orders
Confident hour of observational stand-up
-

Review: Mind How You Go
Warm, whimsical but frustratingly scattered musical hour
-

Review: Liz Guterbock: Nice
Self-reflective tale of being American in the UK
-

Review: Stuart Laws Is Stuck
A brain scrambling kinda-whodunnit from the Fringe veteran
-

Kids Review: The Listies: Make Some Noise
Edie, seven, enjoys laughing with The Listies
-

Kids Review: The Flying Bubble Show
A mesmerising display of bubbles
-

Kids Review: Mr Sleepybum’s Dream Machine
Alvie, four, has a great time with Mr Sleepybum
-

Review: Paldem
Writing with the electric chemistry and quickfire wit of a great romcom
-

Review: Ozzy Algar: Speed Queen
An ode to Britain’s faded camp glamour set in the Isle of Wight’s last surviving launderette
-

Review: Amazons
A trenchant critique of the silencing of women’s voices
-

Review: AETHER
Ambitious hour that celebrates the dizzying, vertiginous joy of the unknown
-

Review: Josie Long: Now is the Time of Monsters
Long is on terrific form with a deceptively rousing prehistory show
-

Review: Circa: Wolf
Exceptional creativity performed with unmatched skill
-

Review: Pigs Fly Easy Ryan
Anarchic side-swipe at climate offenders is an energetic oddity
-

Review: Lady Macbeth Played Wing Defence
Contemporary spin on Shakespeare’s Macbeth trades in the battlefield for the netball court
-

Review: Jaz Mattu: Everyone is Here
A headscratcher that blurs the line between deadpan comedy and performance art
-

Review: Scatter: A Horror Play
A florid script with a mixture of sinister folklore and contemporary male anxiety
-

Review: Eric Rushton: Innkeeper
Midlander finds dark emotional truth in despair
-

Review: Chat Sh*t, Get Hit
Warmly rousing interrogation of female rage
-

Review: Caitriona Dowden: Dance Like Everyone’s Dancing
A comic with a charmingly idiosyncratic worldview
-

Review: Sibet Partee: Behind
Tale of Tudor obsession is lightly plotted but delivered with gusto
-

Review: Douglas Widick: Paperclip
Charming and bizarre nostalgia ride through early internet culture
-

Review: The Horse of Jenin
Comedian and theatre maker Alaa Shehada presents his poignant story with irresistible warmth
-

Review: A Drag is Born
Edu Díaz’s show is a fun, if underpowered, drag origin story
-

Review: BITCH
One of the most committed and acerbic performers at this year’s festival
-

Review: The Queen is Mad
An impeccably polished musical theatre three-hander
-

Review: Standing in the Shadows of Giants
An intriguing autobiographical portrait of having a superstar sibling
-

Review: Betty Grumble’s Enemies of Grooviness Eat Sh!t
A statement of power, collective catharsis and radical joy
-

Review: Consumed
Birthday party-set play is heightened and heavy on cliché
-

Review: Jain Edwards: She-Devil
The Welsh-born, Manchester-based comedian combines reality and fiction in an offbeat hour of stand-up
-

Review: Laura Davis: Despair is Beneath Us
The Edinburgh-based Australian’s latest is a densely crafted stand-up hour
-

Review: Lost Lear
An accomplished, slippery production by Dan Colley that goes beyond the classic
-

Review: Molly McGuinness: Slob
An affable and warm debut hour
-

Review: Hasan Al-Habib: Death to the West (Midlands)
Infectiously effusive hour from the Birmingham comic
-

Review: How to Kill a Mouse
A witty and moving debut hour from American stand-up Alex Berr
-

Review: Seymour Mace Does Things With Stuff
An hour of wacky, oddball prop comedy
-

Review: Twonkey’s Zip Wire to Zanzibar
A slice of pure unsullied anything-goes Fringe
-

Review: Dan Tiernan: All In
The award-nominated stand-up continues to excel at the long range bait and switch
-

Review: Fisherman Jon: What’s on the End of My Rod? A Clown Odyssey
Multifaceted costumes and props make for an endearing clown-odyssey
-

Review: Karen Houge: DREAMGIRL
A burlesque show about collective mistrust that is somewhat misjudged
-

Review: Phil Green: A Broken Man’s Guide to Fixing Others
A stand-up hour full of class, heart and laughs, but which could do with paring back
-

Review: PHILOSOPHY OF THE WORLD
A brilliantly bonkers, metatextual and high-octane take on outsider artists The Shaggs
-

Review: Woody Fu: One Man John Wick
Goofy paean to the ultra-violent action series
-

Review: Christopher Macarthur-Boyd: Howling at the Moon
A solid return for the Glasgow comic that revels in self-deprecation
-

Review: Cabbage the Clown: Cinemadrome
Debut hour of skilful clownery and queer joy
-

Review: Saaniya Abbas – Hellarious
An exploration of sinful actions and cultural taboos
-

Review: Dreamscape
A work of hip-hop theatre that is a powerful piece of writing
-

Review: Krystal Evans: A Star is Burnt
An inspiring survival tale about years in hospitality
-

Review: Holly Spillar: Tall Child
Engaging musical comedy with an otherworldly charm
-

Review: Sooz Kempner is Ugly
After experiencing a tidal wave of mediocre insults online, Sooz Kempner concludes that if you need a job done well, you might as well do it yourself
-

Review: How To Win Against History
A slick musical comedy jam-packed with gags and wordplay
-

Review: Hypnotist Matt Hale – Funbelievable! 90s Rewind
With the charismatic Matt at the helm, this enjoyable all-ages throwback will appeal to the cynics and believers alike
-

Review: Space Hippo
A striking feat of artistry, Space Hippo’s lack of structure nevertheless leaves it feeling a little dull
-

Review: Bella Hull: Doctors Hate Her
Hull returns to the Fringe, signature sarcasm and mischievous misdirection in tow
-

Review: Ayo Adenekan: Black Mediocrity
An incredibly impressive debut hour from the Edinburgh comic
-

Review: Helen Bauer: Bless Her
A commanding, hilarious stand-up hour with pathos to boot
-

Review: The Butterfly Who Flew Into The Rave
A relentless feat of endurance from New Zealand choreographers Oli Mathiesen, Lucy Lynch and Sharvon Mortimer
-

Review: Sam Nicoresti: Baby Doomer
A blistering, cathartic and vivid exploration of the trans experience
-

Review: THIS IS NOT ABOUT ME.
This compelling love-story is brought to life by a pair of magnetic performances
-

Review: KINDER
Reflections on drag, family and kindness make up Ryan Stewart’s complex and graceful show
-

Review: Jodie Sloan: Is She Hot?
A unique social media experience is the catalyst for Jodie Sloan’s creative debut
-

Kids Review: The Box Show
Three seven-year-olds – Oran, Alba and Roo – share their thoughts on Junkyard Beats’ high energy musical extravaganza
-

Review: Mary O’Connell: Dilly Dally
With easy charisma, Mary O’Connell delivers a tightly woven hour about late-twenties growing pains
-

Kids Review: Olaf Falafel’s Stupidest Super Stupid Show
Oran and Roo, both seven, are delighted by the sheer volume of poo jokes
-

Review: MADONNA ON THE ROCKS
One-woman musical exploring post-partum depression
-

Review: Dan Rath: Tropical Depression
Strong joke-writing punctuates a self-conscious, low-energy hour
-

Review: Nerds: The Bill Gates vs. Steve Jobs Comedy Musical
Big brash musical about the beginnings of the PC era
-

Review: Cat Cohen: Broad Strokes
The Edinburgh Comedy Award winner returns with another tightly crafted hour
-

Review: Derek Mitchell: Goblin
A pitch-black character comedy from Derek Mitchell that nails its period details
-

Review: Sharon Wanjohi: In The House
The comedy writer brings her TV writing chops to the stage, with a debut that takes aim at the wellness industry
-

Review: Rift
Gabriel Jason Dean’s play is an intriguing condemnation of liberal failure
-

Review: Her Raving Mind
A gritty three-hander that is at times unfocused, but leaves a lasting impression
-

Review: Pickled Republic
Sentient vegetables face the existential horror of their fast approaching sell-by date
-

Review: Kevin James Doyle: Wild Card
An entertaining hour where the audience provides the prompts
-

Review: Amy Mason: Behold!
Deadpan and intimate, Amy Mason’s unapologetic show recounts the comic’s absurd experience of being hacked
-

Review: The Genesis
Copenhagen Collective’s Fringe debut is a crowd-pleasing spectacle
-

Review: Lucky Tonight!
Afreena Islam-Wright looks back on her British-Bangladeshi upbringing via an interactive pub quiz-cum-theatre show
-

Review: No Apologies
A defiant and arresting show from Emma Frankland about wishful thinking
-

Review: Kit Loyd: Frenzy
Kit Loyd puts in a committed performance, but strong execution fails to lift his derivative mime show
-

Review: Lorna Rose Treen: 24 Hour Diner People
The character comedian outdoes her previous show with another slick hour that blends cringe humour with surrealism
-

Review: Relay
Smart and sharp punk musical comedy from writer Leila Navabi
-

Review: Andrew Doherty: Sad Gay AIDS Play
Andrew Doherty’s satirical play-within-a-play sends up the nature of arts council funding in the UK
-

Review: Women in Socks and Sandals
Feats of physicality uplift this wordless show from Denmark, which is in need of a stronger through line
-

Review: Dylan Adler: Haus of Dy-lan
Dylan Adler’s delightfully campy, autobiographical hour is just slightly curtailed by over-ambition
-

Review: PALESTINE: PEACE DE RESISTANCE
Irish-Palestinian comic Sami Abu Wardeh’s densely layered Fringe comeback roars with defiance
-

Review: Voyeur / Samba and Love
São José dos Campos Dance Company brings us a striking double bill which captivates and inspires
-

Review: Thor Stenhaug: One Night Stand Baby
Norwegian comedian Thor Stenhaug’s cheerful standup is a welcome dose of positivity
-

Review: Red Like Fruit
A captivating and challenging 75 minutes from Canadian playwright Hannah Moscovitch
-

Review: Toussaint Douglass: Accessible Pigeon Material
A brilliant and relatable debut exploring generational weirdness
-

Review: Cerys Bradley’s Queer Tales for Autistic Folk
With more structure, Cerys Bradley’s relaxed show about an adult autism diagnosis could become something special
-

Review: Old God
There’s something in Alec Jones-Turjillo’s garrulous period pantomime. Maybe too much, in fact
-

Review: Laura Benanti: Nobody Cares
A cathartic, confessional and self-deprecating hour from the Tony Award winner
-

Review: Chunky Jewellery
Nuts and touching in equal measure, longtime friends Natasha Gilmore and Jude Williams deliver a bittersweet delight
-

Review: Zainab Johnson: Toxically Optimistic
A confident hour of solo stand-up from the American comic
-

Review: Champions
A reflective and meditative portrait that provides an outline of dysfunction
-

Kids Review: Treeeeee
Emmy, four-and-a-half years old, has a good laugh alongside her grown-ups
-

Review: Make It Happen
James Graham’s tale of cataclysmic collapse is both spectacular and highly memorable
-

Review: jessica aszkenasy: TITCLOWN
A delightfully bizarre hour of clowning and breast-based comedy
-

Review: #CHARLOTTESVILLE
A passionate and stirring docudrama from Priyanka Shetty
-

Review: John Tothill: This Must Be Heaven
For Tothill heaven is a place on earth, and that place is his sofa with a Rustler’s burger in hand
-

Review: Ben Pope: The Cut
Charisma abounds in Ben Pope’s personal and endearingly breathless comeback hour
-

Review: Chokeslam
A detailed, unfiltered one-woman dive into pro-wrestling interwoven with personal insights
-

Review: Michelle Brasier: It’s a Shame We Won’t Be Friends Next Year
Another warm and affecting hour of music and storytelling from one of Australia’s finest















