Sepideh Kaav is very clear from the outset: 1979: Persianility Disorder is a work of solo dark comedy. Reflecting on growing up in Iran and moving to Europe, Kaav dissects international politics alongside interpersonal dynamics – from her sex life to her professional life. Uncomfortable and undercooked, 1979: Persianility Disorder, is a work which is yet to find its feet.
Throughout, Kaav often reflects on where the so-called line is with dark comedy and questions whether she is crossing it: with punchlines looking to terrorism, rape, and disablist remarks, 1979: Persianility Disorder certainly crosses this line. While some insights on her childhood offer a certain poignancy, such strengths are all too often undercut by an ill-thought aside. Likewise, reflections on contemporary dating are usually met with heavy-handed (and often prejudiced) stereotypes.
While Kaav’s consistent callbacks offer some rhythm, the show overall lacks a cohesive structure, circling the same ideas throughout. Such circling doesn’t yield further depth; instead, we experience a distancing from Kaav, with true comedic intimacy lying some way off. A couple of guitar-strung musical numbers bring the show to a close; repetitive lyrics and minimal chords make for catchy albeit unremarkable songs. Despite missteps, Kaav appears to enjoy herself on stage and manages to see the set out in full.
1979: Persianality Disorder, Laughing Horse @ Coco Boho, until 30 Aug, 5.15pm