Tag: Edinburgh 2026
-

Review: The Plot
An intriguing tangle of misguided loyalties and thwarted ambition is weighed down by a dense script
-

The Very Best of the Edinburgh Festivals (2026)
Our continually updated round-up of all the four and five star shows seen by our writing team
-

Review: Little Animals
Motherland’s Paul Ready makes his playwriting debut with a climate tale, but it’s the technical execution that truly excels
-

Review: Lions
Physical comedy duo Lightning Rod Special find the funny in the grieving of their fathers
-

Review: Clown Show
Studied haplessness makes for a brilliant, satirical, physical comedy from Geoff Sobelle and co.
-

Review: If I can’t Dance I’m Not Coming
This Metropolis-inspired dance piece possesses a bold conceptual premise, but lacks exposition
-

Review: Border Bodies
T.F. Dance Company’s exhilarating dance piece Border Bodies explores the politicisation of movement
-

Review: Marc Jennings: If & When
Marc Jennings shows why he’s one of the most versatile and strongest all-round stand-ups in Scotland
-

Review: New York City Dreams
New Yorker Meka Mo’s debut hour is a charismatic if slightly unfocused hour
-

Review: Flamenc Oh!!
Fusion of pantomime and panto-style slapstick fails to uplift either art form
-

Edinburgh Festival Fringe Q&A: Eleanor Morton
Eleanor Morton discusses her latest stand-up show, The Mermaid, which explores coming of age
-

Richard Marsh’s Perfect Day
We asked Richard Marsh for his idea of a perfect day, and he took us, poetically, into the life of a mayfly
-

Review: Aliens
A mother and daughter experiment, Aliens is a multi-lingual exploration of heritage and migration
-

Brendan Scannell: The Abyss
Part standup, part monologue, The Abyss sees Brendan Scannell dive deep into his own trauma and upbringing
-

Review: Katie Norris: Mother Succubus
Katie Norris embraces her Mother Succubus alter-ego as fiercely cynical agony aunt for younger women
-

Edinburgh Fringe Q&A: Alice Fraser
Alice Fraser discusses Oh Man!, her stand-up show exploring masculinity and the manosphere
-

Interview: The SNL UK team on their Saturday Night Live (US) influences
Comics behind the hit SNL UK tell us about the Saturday Night Live (US) cast members that inspired them
-

Cecily Hitchock’s Family Recipe
We asked the comedian to write us the recipe for a family favourite. Bananas and ham, anyone?
-

Interview: Eilidh Loan and Elaine C. Smith on Cathy
Cathy, a new play from Eilidh Loan about her grandmother, has taken the Fringe by storm. We speak to her and its star, Elaine C. Smith
-

Review: Alfie Dundas: First Class Panic
Alfie Dundas’s reflections on his privileged upbringing hits a snag after some destabilising crowd work
-

Review: Giraffe
Abigail Weinstock’s quirky new solo play follows a young girl as she stands accused of stalking her neighbour
-

Edinburgh Fringe Q&A: Alex Franklin
Alex Franklin discusses her stand-up and musical comedy show Kiss Me x, all about kissing and dating
-

Review: Burger and a Pint: Treats for the Soul
Sketch comedy duo Burger and a Pint explore compromised masculinity with easy chemistry
-

Review: HAM
This Hamlet-skewering two-hander opens a window to processing eco-grief
-

Review: 1979 Persianality Disorder
Reflecting on growing up in Iran and moving to Europe, Sepideh Kaav’s solo dark comedy show is yet to find its feet
-

Edinburgh Festival Fringe Q&A: Finlay Christie
Comedian Finlay Christie discusses his latest show Champagne Casanova
-

Review: SLAYERS by Corinne Salisbury
SLAYERS’ exploration of violence and the manosphere builds tension even when it occasionally lacks clarity
-

Edinburgh Fringe Q&A: Pete Belcher
Pete Belcher discusses Noted, the new show from his art and entertainment collective The Back Pack
-

Review: John Kearns: Tilting at Windmills
John Kearns may be at a crossroads in his life, but on stage he’s exactly where he ought to be
-

Review: Frankie McNair: Huge Ass Mindset
Frankie McNair’s show excavates childhood trauma with humour
-

Review: Adam Flood: Life and Death of the Party
Adam Flood’s relentless exploration of millennial anguish is bombastic, but in need of some fine tuning
-

Review: Kate Dehnert: Echo
Kate Dehnert’s emotional show explores the fall-out from a ten-year relationship
-

Review: Zoe Wohlfeld: Dog Funeral
Zoe Wohlfield delivers a committed performance exploring grief as she stages a funeral for her furry best friend
-

Young Critics at the Fringe
We sent the Super Power Agency out into the festivals with a group of newly-trained teen reviewers to suss out the best shows for young people this Fringe
-

Interview: Joseph Morpurgo on Highlander 70
Cult favourite Joseph Morpurgo on his first solo Fringe show in almost a decade
-

Review: FORIEGNER
Sohrab Hagverdi explores complicated politics and the performativity of autobiography with live art chaos
-

Edinburgh Fringe Q&A: Fay Guiffo
Fay Guiffo talks to us about Arcana, her debut show which comes to the Fringe as part of the Made in Scotland showcase
-

Roger Prick interviews Typewronger Books
’70s pornographer and erotic novelist Roger Prick (Han Whyte) interviews Typewronger’s Tee Hodges about their newly opened Bruntsfield premises
-

Review: Ele Mckenzie: Bringing It All Back Home
Ele McKenzie bears her heart, soul and body in her debut comedy hour
-

Review: Poles
Yvonne Smink’s performance is a spectacle of the human body and its capabilities
-

Review: INDY!
This satire of the Indiana Jones trilogy has roots in postmodern panto
-

Edinburgh Fringe Q&A: Rob Preston
Comedian Rob Preston answers our Edinburgh Fringe Q&A in typically tongue in cheek fashion
-

Review: Robin Grainger: Lemonade
Robin Grainger makes his anticipated Edinburgh Fringe return with Lemonade
-

Rob Copland: ONE (more please)
Rob Copland grapples with professional woes and becoming a father in his latest show
-

Review: Jill’s Tupperware Party
Interactive kitsch nightmare has the makings of a future cult classic
-

Review: Angels in America
Internationaal Theater Amsterdam reimagines Tony Kushner’s contemporary classic Angels in America
-

Interview: A. F. Steadman
Ahead of her Book Festival event, A. F. Steadman sits down with one ten-year-old reader to talk Skandar, her epic fantasy series
-

Mark Thomas’s Core Memory Playlist
Trailblazing comedian and activist Mark Thomas shares a highly personal mixtape
-

Review: BIRDS: Alex Hines and Sarah Stafford
Beckettian Aussie Absurdism from Sons of Susan
-

Review: Ed Night: We’ll Be Alright, Darling
Ed Night delivers a tight set that is as introspective as it is mischievous
-

Review: Josh Pickar: Getting Off
The comedian draws on his past as a death row lawyer to examine the US justice system
-

Review: Rob Auton: JUPITER
Rob Auton’s shaggy dog tale is an elaborate vehicle for his mix of standup and storytelling
-

Review: The Trials of Magnus Coffinkey
A steampunk allegory exploring baby loss and grief within a couple
-

Edinburgh Fringe Q&A: Tom Ballard
Australian comedian Tom Ballard discusses his new comedy show based on a recent joke scandal he became involved in
-

Review: SUCCUBUS
Themes of queer liberation and sexual awakening run through this addition to the carnivore horror genre
-

Review: The Singer
A moving piece of musical theatre exploring ableism and inclusivity
-

Review: Marty Gleeson: Dog Ear
Gleeson squeezes meaning into every line that she can, but backs herself into an imaginative corner
-

Edinburgh Fringe Q&A: Em Humble
BAFTA-longlisted comedian, Em Humble unpacks her new character comedy show inspired by Arthurian legend
-

Review: Tia Rey: Oot Ma Banger
Hotly-tipped Glaswegian comic Tia Rey gives us a charismatic hour exploring psychedelics
-

Creep Ur Pants with the Creepy Boys
The Creepy Boys have noticed that more people are asking the same question: “How can I get more creeps in my life?”
-

Review: ROLEPLAY
Hannah Reilly’s show asks whether female sexual empowerment can survive commercialisation
-

Review: Selina Mosinski: Puss in Boots – A Working Class Fairy Tale
Fringe fairytale debut from Charity Shop Sue shows great promise but offers little levity for the audience
-

Review: Jonno: Here Comes Mr Funny
The debut Fringe show from Jonno, SNL UK’s head writer, is unsurprisingly excellent
-

Review: Bunny!
In Bunny!, a villainous would-be starlet turns murderous after one rejection too many
-

Interview: 30 Years of Free Fringe
An oral history of PBH’s Free Fringe, 30 years on from its inception
-

Kid’s Review: Glob
Alvie, five, enjoys the new circus adventure from Les Foutoukours
-

Cover Story: Aidan O’Rourke, Akiko Yanagisawa and Kanji Shimizu on Song of Rona Island
Fiddle/composer Aidan O’Rourke, Mu:Arts’ Akiko Yanagisawa and revered performer Kanji Shimizu on their Scottish/Japanese collaboration at EIBF
-

Review: The Palestinian Circus: Step and a Half
Step and a Half celebrates Palestinian culture while expounding joy as resistance
-

Review: Madeleine Brettingham: Legend
Warm, weighty debut exploring geezer culture from natural comic Madeleine Brettingham
-

Review: not for glory
not for glory sees three performers reclaim the traditional dance and music of their childhoods
-

Review: Sam Eley is Basil Crumbwick: Soul Sewage
Sam Eley debuts as Basil Crumbwick, his papier-mâché-headed alter ego
-

Review: Crybabies: The Scaring
A surprising, stellar third show from the Crybabies, exploring a washed-up exorcist who takes on one last gig
-

Review: Larry Dean: Hellbent
Slick, effortless comedy from stand-up and Saturday Night Live UK star Larry Dean
-

Opinion: Mama G on the Importance of Libraries
Children’s performer Mama G schools us on the power of pantomime and libraries
-

Interview: Sgàire Wood on Jupiter Rising
Sgàire Wood, artist and this year’s Jupiter Rising curator, on bringing her “ideal night out” to Jupiter Artland for one evening only
-

Edinburgh Fringe Q&A: Hayley Earlam
Award-winning choreographer Hayley Earlam discusses her new show Brrr
-

Review: Scout Boxall: God’s Favourite
Written and polished to within an inch of its life, God’s Favourite lands as theatre just as much as stand-up
-

Review: Li Jin Hao: Falling From a Moon
Li Jin Hao’s hour possesses a weighty structure but sometimes errs too far into overblown whimsy
-

Review: Kemah Bob: Love Child
An upbeat, joyful second hour from Fest cover star Kemah Bob
-

Review: Man or Bear
Smart, powerful kitchen sink storytelling examining abuse and coercion
-

Review: Bog Witch
Bryony Kimmings’ new show explores escapism and eco-anxiety in the English countryside
-

Review: Roger Prick: Sexopolis
A raucous hour charting a fictional 70s pornographer’s journey from precocious leery youngin to sleazy Soho entrepreneur
-

Review: Amanda Knox: Cartwheel
Despite its controversial reputation, Amanda Knox’s comedy debut is surprisingly placid
-

Interview: Comedians in Conflict
65 years after Peter Cook quipped about “those wonderful Berlin cabarets which did so much to stop the rise of Hitler”, how do comedians react to war?
-

Review: Freddie Meredith: Need a Light?
Freddie Meredith embodies a recognisable archetype: the guy determined to be seen as a nightclub legend
-

Review: Gareth Waugh: Is Pepsi OK?
Gareth Waugh unpacks a cracking Fringe-show tale with some nice true-crime touches
-

Review: Mark Vigeant: OUT THERE
Mark Vigeant’s high-energy character comedy is an amusing hour, but pulls punches
-

Edinburgh Fringe Q&A: not for glory
Charlotte Mclean, Jack Anderson and Malin Lewis discuss their rebellious work of dance-theatre
-

Review: EVITA TOO
Fringe legends Becca Biscuit and Louise Mothersole positively outdo themselves with EVITA TOO
-

Review: Jordan Brookes: The Part of You That’s Always Screaming
Jordan Brookes is a juggernaut spectacle of disturbing fascination
-

Review: The Yellow Wallpaper
Charlotte Perkins Gilman’s short story The Yellow Wallpaper is adapted into a compelling dance thriller
-

Review: Cathy
Elaine C Smith plays a newly-widowed Glaswegian matriarch of old-school character
-

Review: Ania Magliano: Peach Fuzz
SNL UK’s Ania Magliano performs a sophisticated show with precise and effortless delivery
-

Basil Crumbwick’s Perfect Day
Sam Eley’s chaotic alter-ego, 64-year-old oddball Basil Crumbwick, takes us through a day in his perfectly ordinary life
-

Opinion: How to Spice Up a Gallery Visit
To celebrate the beginning of the Edinburgh Art Festival, Coco the Time-Travelling Tart provides a guide to enjoying art
-

Review: Eric Rushton: Could Well Be In
Eric Rushton delivers an hour reflecting on his mum and his upbringing with seven siblings
-

Review: Chip and Gus: A Comedy with Balls
In this odd couple comedy, two performers exchange quips over table tennis
-

Review: Maya Ricote: Ay Am!
For her debut hour, Maya Ricote embodies a parodic version of a telenovela star
-

Review: Olga Koch: Fat Tom Cruise
The comedian follows up last year’s standout show with a polished, high-production hour
-

Review: Adi Parmar: Sunny Boy
Deeply autobiographical debut introduces us to a confident, prismatic new stand-up
-

Review: Milo Edwards: Catamaran
A truly sensational hour of standup exploring grief, love and family
-

Review: Bigfoot Ripped My Dog in Half I Saw It
With their unparalleled chemistry it’s easy to see why Xhloe and Natasha are the names on everyone’s lips
-

Review: The Librarians: A Very Serious Comedy!
The Librarians is an unashamedly old-fashioned farce that revels in stereotypes
-

Review: Hasan Al-Habib: Stuck in the Middle (East) With You
Hasan Al-Habib’s polished show can’t quite support a late dramatic tone shift
-

Edinburgh Art Festival 2026 – Top Picks
Activism, archive and collective presence feature throughout the best of EAF this year
-

Edinburgh International Book Festival 2026 – Top Picks
Authors reflect on obsession, inheritance, tradition and even karaoke at this year’s EIBF
-

Review: Those People
Fascinating and fresh sketch autofiction from Riana White and Lara Ciulli
-

Robin Grainger’s Streetwear Guide to Edinburgh
Streetwear is no joke to comedian Robin Grainger. We asked him to pick a few of his favourite places the city has to offer
-

Review: Dan Kelly: How I Went to Every Supermarket in the World
Funny, travel-obsessed stand-up sells us a slice of life as a supermarket data collector
-

Opinion: Why It’s Important for Theatre to Shine a Light on Societal Issues
Anja Meinhardt-Bruckmann, Artistic Director of Justice in Motion, on why real world issues matter in the arts
-

Amy Matthews: Definitions of Toast
Amy Matthews takes on heavy subjects with aplomb, in this tightly structured set
-

Omar Badawy’s Guided Detour Around Edinburgh
Hungry? The stand-up and SNL UK writer knows a spot. If you can resist the gems along the way
-

Review: Lizzy Hoo – Says Hoo?
Lizzy Hoo delivers a polished hour with outstanding writing and delivery
-

Review: Skank Sinatra: How to Succeed in Show Business Without Really Trying
Despite technical talent, Jens Radda could deliver something fresher in future
-

Kids Review: The Mystery of Pleasance Two
Lyra, ten, enjoys the murder mystery show The Mystery of Pleasance Two
-

Review: The Galloping Cure
This Kafka adaptation is a dark opera take on the opioid crisis, with music from Missy Mazzoli
-

Review: Dracula: Lucy’s Dream
Plexus Polaire’s moving Dracula adaptation perfectly combines past and present
-

Review: Nate Kitch: Replica
Nate Kitch delivers an hour of jazz-inspired deconstructionist, experimental comedy
-

Kids review: The Listies 110% Ready
We take Oran (8), Eric (8) and Jimmy (11) to The Listies: 110% Ready
-

Review: Matthew Gallagher: Last Minute
Scattergun hour is delivered with commitment and energy but lacks focus
-

Review: Patient 13
Gail Thomas’s charming autobiographical drama is a play of two rather disparate halves
-

Review: Tamsyn Kelly: Rat’s Ass
Crucial, well observed and all-too contemporary stand-up hour hails Tamsyn Kelly as one to watch
-

Review: Alex Franklin: Kiss Me x
Gleefully nerdy new hour from Alex Franklin
-

Review: Jennifer Jane: Happy Tea
Jennifer Jane is an extraordinary person telling an extraordinary story, in no-frills fashion
-

Review: Sapphire McIntosh: Squeaky Bum Time
Ex-footballer Sapphire McIntosh delivers a confident stand-up debut that nevertheless isn’t quite a clean strike
-

Interview: Kemah Bob on Love Child
Cover story: Comedian Kemah Bob on the trials of growing up, inheritance, and following up their hit debut hour
-

Review: A Trial – after An Enemy of the People
Brazilian director Christiane Jatahy performs open surgery on Henrik Ibsen’s 1882 classic
-

Review: Mayflies
Faithful adaptation of Andrew O’Hagan’s coming-of-age novel is at home in a Leith warehouse
-

Review: B48Y Crash Lands on Earth!
Lukas Meintjes’ camp clowning show sees an alien crash land into a gay nightclub
-

Review: Sami Abu Wardeh Hates You
For his sophomore show, Sami Abu Wardeh offers a personal hour exploring his family and upbringing
-

Review: Elf Lyons is The Woman on the Edge
Elf Lyons delivers her most personal piece yet, a must-see journey from heartbreak to rediscovery
-

Review: Jess Fuchs: Feral
Jess Fuchs archly engages with the regressive impulses of the post-feminist moment
-

Review: Rory Marshall: Thank You for the Opportunity
Rory Marshall goes broad with characters that lack a sharper, more defined edge
-

Review: Boys Don’t Dance
Marc Brew’s new children’s dance-theatre show, Boys Don’t Dance, approaches storytelling, movement and a vibrant 80s soundtrack with inclusivity
-

Review: Ifrah Qureshi: 48 Flaws of Power
Ifrah Qureshi’s debut Fringe hour engages with one of the manosphere’s canonical texts
-

Review: Amanda Dwyer: Better Than Revenge
Amanda Dwyer’s debut show flips easy survivor narratives on their head for a caustic, complicated hour
-

Review: Eva Peroni: Jungled
Potently leftist yet politically incorrect, Eva Peroni’s gleeful bravado glosses over the young comic’s contradictions
-

Review: Sophie Duker: Hot Beef Injection
Sophie Duker offers a fresh and charming voice to the discourse on male loneliness
-

Review: Jonathan Oldfield: Exquisite Corpse
Jonathan Oldfield’s unpredictable debut show stitches together sketch comedy gold
-

Review: Andrew Doherty: Reviewers Welcome… TO DIE!
Andrew Doherty’s camp horror is amusing, but can feel unsophisticated, formulaic and shallow
-

Review: Mrs Stern Wanders The Prussian State Library
A tense exploration of anti-Semitism in the totalitarian Nazi state is let down by the toothless characterisation of one of its villains
-

Review: Gareth Mutch Means Well
Even Gareth Mutch’s natural talent and likability can’t save a poorly defined and under-developed show
-
![Review: [seagull]](https://festmag.com/wp-content/uploads/sites/2/2026/07/pressYVDE7112-1-1-1.jpg)
Review: [seagull]
Olympique Dramatique’s [seagull] is a poignant, textured reimagining of the Chekhov classic
-

Review: 11½ Angry Men
Despite a stacked comedic cast, a weak script leads to a lacklustre overall performance
-

Review: Depths of Wikipedia
Annie Rauwerda turns her popular Instagram account @depthsofwikipedia into a fully-fledged comedy show
-

Review: Sid Singh: Love Bombing
Sid Singh reflects on the role of political comedy amid global crisis in an earnest, likeable hour
-

Review: Rosco McClelland: The Bones
Naturally funny Rosco McClelland has the bones of a killer show, which just needs fleshing out
-

Review: How to Art
This absurdist art world satire riffs off of Maurizio Cattelan’s infamous banana stunt to mixed effect
-

Review: Prophets
Prophets examines oppression and abuse of power within religious cults, but adds little to the conversation
-

Review: Jack Brookmyre: Impressionable
Jack Brookmyre offers up whip-smart storytelling, savvy observations and caustic gags
-

Review: PLASTIC
Minyoung Kim crafts a startlingly cinematic musical journey deep into ancient pasts and visionary futures
-

Review: Chris Rutter: Ignorance Is Chris
Chris Rutter’s debut set is calmly delivered, full of solid gags with similar beats
-

Review: REDACTED: The Cover-up of a Cover-up of a Cover-up
The tightly-packed comedic conspiracy thriller delivers big performances and smart sight gags
-

Review: Demi Adejuyigbe Sells Out
Demi Adejuyigbe delivers a skilful hour with super sharp comebacks and chaotic energy
-

Review: Long Way Home
Layla Warren unpacks her journey from 1980s Iran to LA via London in a solo storytelling show with warmth
-

Ethan & Gigi Present: THE MOVEMENT
At every moment THE MOVEMENT shrouds itself in glory and kicks itself in the nuts
-

Review: Target Audience
A live wire cast does much of the heavy lifting in this tame critique of corporate interests and careerism
-

Review: John Achkar: His country is collapsing. He’s having a baby. So obviously, this is the right year for a Lebanese comedian you’ve never heard of to try English stand-up for the first time
Lebanese comic John Achkar’s nascent English-language career gets off to a promising start
-

Review: Abby Govindan: Pushing 30
Abby Govindan’s tour de force personality shines through despite an underpowered Fringe debut
-

Review: Harriet Richardson: Creep
The debut stand-up show from performance artist Harriet Richardson tackles parasocial relationships head-on
-

Kids Review: Quentin Blake’s Mrs Armitage on Wheels
A new Quentin Blake adaptation keeps Katie, four, rapt throughout
-

Review: Paul Hilleard: Grogg
Hotly anticipated debut showcases some great observational comedy but tends towards gloom
-

Review: Finlay Christie: Champagne Casanova
A laidback, winsome approach from Finlay Christie falls short of the mark
-

Review: Chris Cantrill: Rewilding
This shaggy dog story about rural Northumberland is confidently handled, but searches in vain for a worthy climax
-

Kids Review: The Spencer Jones Experimental Kids Show
5 year-old Alvie couldn’t stop laughing at Spencer Jones’ silly props and faces
-

Kids Review: Darryl J Carrington: Out of the Box
Oran, aged eight, takes a trip to see Darryl J Carrington’s wordless physical comedy show Out of the Box
-

Review: Badgers
A podcaster and a folk singer team up in this cross-genre clarion call to creativity
-

Review: Krapp’s Last Tape
An admirable Beckett revival, bolstered by David Westhead’s commanding performance
-

Review: House Fly
An unstoppably silly, gleeful fly-drag show from clown Tess O’Shea
-

Review: The Buddha Wears Prada
American stand-up Sofia May delivers a takedown of a not-yet-infamous cult leader
-

Review: Kate Butch: A Kate in the Hand is Worth Two in the Butch
After a variety hour in 2024, Kate Butch shows she can tackle straight stand-up with wit and emotional weight
-

Review: Dee Allum: Raumdeuter
Admirably honest, upbeat stand-up is a joy to spend time with
-

Review: Tale of the Firebird
There’s no denying the commitment and bravery on show in Freestyle Orchestra’s classical music and acrobatics mash-up
-

Kids Review: Black Blues Brothers: Let’s Twist Again!
Edie, eight, is stunned by the Black Blues Brothers’ amazing acrobatics
-

Review: The Second Best School Shooting
The Second Best School Shooting shows the level of depth and sensitivity two actors can achieve with a strong script
-

Kids Review: Romeo and Juliet for Bairns
Clara, two, has a lovely time with a Shakespeare adaptation at the Scottish Storytelling Centre
-

Review: Blackbox
Rickerby Hinds eschews his hip hop trademarks in favour of fervent direct address, which works despite Blackbox’s rushed ending
-

Review: Lara Ricote: INKLING
Lara Ricote embraces the power of three for an occasionally rapturous third show
-

Review: Emmeline Downie: Gail
An unsparing portrait of a certain kind of lost soul, which errs towards middle-class misery over mirth
-

Review: Cecily Hitchcock: Family Recipe
Cecily Hitchcock dishes up a brilliant debut about growing up sticking out, with a double helping of charm
-

Review: One Man Musical
Ed Easton leaves little to be desired in George Fouracres’ former role as Andrew Lloyd Webber
-

Review: Stanislavski Can’t Save Me From The Apocalypse
Playful take on end of the world dramas sees theatre camp leaders contend with the apocalypse
-

Review: Hannah Platt: Cult Classic
Rising star Hannah Platt tries to convert us to her cult in an enjoyable hour that could go deeper
-

Edinburgh Fringe Q&A: Nicholas Bone on We Will Hear the Angels
We catch up with Magnetic North ahead of their return to Edinburgh after nearly a decade
-

Review: Patrick Monahan: I’m Not A Terrorist – I’m Freddie Mercury
Patrick Monahan hints at a hard-hitting show with personal tales but ultimately keeps things light
-

Review: Lil Wenker: BOYKING
Energetic and loud tale of a tyrannical young prince relies on a lively audience
-

Review: Harriet Dyer: Easily Distra…
The Cornish comedian’s jam-packed show won’t leave you feeling shortchanged. It’s several hours of stand-up in one
-

Review: Rob Preston: Amazing Global Solutions
Rob Preston offers up delightfully deranged musings on the sex recession and parodies of masculinity which push cliches to farcical limits
-

Review: Jenny Gorelick: SORRY
Depending on your relationship status, Jenny Gorelick’s debut Fringe hour will have you guffawing or debating if heterofatalism has gone too far
-

Review: Spin Cycle
Sweltering chemistry on stage is let down by sloppy writing in Spin Cycle’s sapphic saga
-

Review: Susie McCabe: Coming of Rage
Susie McCabe’s stand-up hour Coming of Rage promises anger but delivers comfortable laughter
-

Review: Darryl J Carrington: Tennish
Darryl J Carrington’s non-verbal clown show serves up good, clean, interactive fun
-

Review: Paul Foot: The Future
Paul Foot balances statistics-based frivolity with a story of ancestral struggle in an unexpectedly rousing hour
-

Review: Kate Dolan: Trout
Kate Dolan yearns for devolution in a high-key stand-up hour with depth
-

Sir Elton Scone: A Sweet-tooth’s Guide to Edinburgh
Katie Pritchard’s musical alter-ego shares his tips for getting your sugar fix in the city
-

Interview: Madame Chandelier on Grand Theft Opera
Delea Shand on her new family show, a video-game styled spectacle featuring opera’s greatest heroines
-

Interview: Fringe Comedians on Turning 30
Even at 30, many of us are wondering why we’re still waiting for our lives to start. We speak to five comedians about feeling priced out of growing up
-

Interview: Michael Hockey and Yngvild Aspeli
Michael Hockey and Yngvild Aspeli on their respective shows that re-animate Gothic tales with the help of puppetry, and why Frankenstein and Dracula continue to fascinate us
-

Interview: Selina Mosinski
Selina Mosinski, the comedian best known as Charity Shop Sue, debuts at the Fringe with a show reviving her stripper persona Randy Cain
-

Interview: Lucy Buncombe, Tom O’Kelly, Alex Pritchett and Emma Howlett
Lucy Buncombe, Tom O’Kelly, Alex Pritchett and Emma Howlett discuss their shows Remember, Remember! and The Plot, which each take a different approach to the Gunpowder Plot
-

Interview: Stand-up Comedians and their Directors
What exactly is a standup comedy director? Si Hawkins speaks to a trio of comedians and their directors to find out
-

Interview: Bashar Murkus on Al-Sirah Al-Hilaliyyah
Khashabi Theatre’s Bashar Murkus on keeping a 14th Century epic alive through Palestinian folklore and decolonial theatre practice
-

Interview: Stijn Van Opstal, Yana Wuytjens, Cora Bissett and Jamie Rea
Two pairs of theatre-makers on the process of bringing sign language to both Deaf and hearing audiences
-

Interview: Madeleine Brettingham
After a successful career in writers’ rooms, Madeleine Brettingham prepares for her stand-up debut about being raised a geezer
-

Interview: When Prophecy Fails
groupwork’s Lewis den Hertog, Finn den Hertog and Vicki Manderson on their 1950s-set tale of an American doomsday cult
-

Interview: Sauna Theatre
Sauna Theatre co-founders James Grieve and Lucy Osborne on their Swedish-inspired experiment to blend sauna with live performance
-

Interview: Kate Dolan
Following a Bestie win for last year’s The Critic, Kate Dolan is back with an altogether deeper stand-up hour
-

Interview: Rickerby Hinds on Blackbox
Rickerby Hinds tells us about his new play, disguised as a magic show, about the life of Henry ‘Box’ Brown
-

Interview: The Stand Five Comedians Prepare to Debut
Chris Rutter, Ifrah Qureshi, Matthew Gallagher, Amanda Dwyer and Jack Brookmyre on being the inaugural recipients of The Stand’s new sponsorship scheme
-

Interview: Andrew O’Hagan and Ben Harrison on Mayflies
Author Andrew O’Hagan and theatre director Ben Harrison on staging their Mayflies adaptation inside a former Leith metalworks
-

Edinburgh Fringe 2026 – Top Picks: Dance, Physical Theatre and Circus
Shows that bring the festival vibes, from bold new choreography to quintessential comedy chaos
-

Edinburgh Fringe 2026 – Top Picks: Kids
Whatever the family favours, there’s something for everyone at this year’s Fringe
-

Interview: Mohamad Rabah on the Palestinian Circus
Mohamad Rabah, director of the Palestinian Circus, speaks to us about defying the odds to bring their Dabke-inspired performance to Edinburgh
-

Edinburgh Fringe 2026: Top Picks – Music
Musicals, opera, parodies and rock icons. Our pick of music at the Edinburgh Fringe
-

Interview: Xhloe and Natasha on Bigfoot Ripped my Dog In Half I Saw It
Cover story: Acclaimed clown and physical theatre duo Xhloe and Natasha tell us about their fourth new work in five years, set in a paranoid Appalachian town
-

Edinburgh Fringe 2026: Top Picks – Theatre
The best of theatre at the Fringe, from new Scottish writing to international productions
-

Edinburgh Fringe 2026 – Top Picks: Comedy
From Scottish mainstays to international artists making UK debuts, here are just a few comedy shows we’ve got our eye on
-

Edinburgh Fringe Q&A: Emanuele Aldrovandi
Italian playwright, screenwriter and director Emanuele Aldrovandi discusses his new participatory theatre work coming to the Fringe
-

Edinburgh Fringe Q&A: Isabelle Barbier
Isabelle Barbier discusses Rip Her to Shreds, her witchy exploration of girlhood and female rage
-

Edinburgh Fringe Q&A: Mark McAuley
As he brings a new adaptation of Gogol’s Diary of a Mad Man to the Fringe, Mark McAuley discusses mental health and modern loneliness
-

Callum Patrick Hughes’ Day of the Locust Mixtape
Multi-instrumentalist Callum Patrick Hughes’ Fringe show reimagines Nathanael West’s 1930 novel for a musical reflection on contemporary America
-

Opinion: Give us a fair cut
Writer, producer and clown Lukas Meintjes advocates for establishing a practical standard for venue deals in independent performing arts
-

Yoz Mensch’s Queer Roadtrip Mixtape
Yoz Mensch selects The Muppets and SOPHIE for the unofficial soundtrack of My Grandpa Doesn’t Follow Me On Instagram
-

Flo & Joan’s Andrew Lloyd Webber Mixtape
Ahead of their Andrew Lloyd Webber-themed Fringe show ‘One Man Musical’, Flo & Joan curate a Fest mixtape
-

Edinburgh Fringe Q&A: Mario Adrion
Comedian, content creator and former model Mario Adrion discusses his Zoolander-meets-Baby-Reindeer debut show
-

‘Margaret Thatcher’s’ Hollywood Mixtape
Matt Tedford, in character as Margaret Thatcher, picks tracks featured in major motion pictures.
-

Edinburgh Fringe Q&A: Mike Wozniak
Mike Wozniak, the comedian seen on Taskmaster and heard on the Three Bean Salad podcast, answers our Fringe Q&A
-

Edinburgh Fringe Q&A: Charlotte Merriam
Charlotte Merriam discusses her new show Sad Bride, the wedding industrial complex, and comphet
-

Lil Wenker’s BOYKING Mixtape
American clown Lil Wenker curates a power-hungry playlist
-

Edinburgh Fringe Q&A: Li Jin Hao
After his breakthrough hour Swimming In A Submarine debuted in 2024, the comedian returns with Falling From a Moon
-

Andrew Doherty’s Underrated Bangers Mixtape
Andrew Doherty selects underrated bangers from Fleur East and Sugababes ahead of his 2026 Fringe show
-

Edinburgh Fringe Q&A: Molly-Rose Treves and Gabriel Fogarty-Graveson
The Dream Machine cast members Molly-Rose Treves and Gabriel Fogarty-Graveson talk improv and their picks of the Fringe
-

Brit Barron’s CHURCH Mixtape
Brit Barron compiles the tracks which inspired her gospel-comedy crossover CHURCH.
-

Edinburgh Fringe Q&A: Hadsan Mohamud
Writer and performer Hadsan Mohamud discusses her play CRUSH: a teen love story set in an eating disorder clinic
-

Hannah Byczkowski’s Killer Mixtape
‘The Traitors’ winner Hannah Byczkowski provides an unofficial soundtrack to her death-themed debut
-

Edinburgh Fringe Q&A: Maria Bartholdi
Ahead of Endometriosis: The Musical’s Fringe run, co-creator Maria Bartholdi discusses women’s health and the US political landscape
-

Conk’s Constant Repeat Mixtape
Conk’s 2026 Fringe show is titled “Man Sings the Same Song Over and Over Again for an Hour”. To celebrate, he picks a song to put on constant repeat.
-

Jack J and John’s Geordie Icons: A Metroland Mixtape
Jack J and John from comedy group Metroland curate a playlist of Geordie legends, from Mark Knopfler to Sam Fender
-

Cheeyang Ng’s Legendary Mixtape
Cheeyang Ng selects Sara Bareilles, Lady Gaga, and themself.






