Classical opera is known for a scale and extravagance that can feel irrelevant to the present and only accessible to the upper echelons of society. Some opera companies have been trying to change this through streamlining and updating opera so it has wider appeal. This opera by Huang Ro draws on the ancient and contemporary, and European and East Asian traditions, to create a distinctly current production. The minimalist design is meditative and soothing but what could be considered the narrative in the loosest of senses is so sparse that it comes across as patronising.
Four Chinese myths, sung in Mandarin and an imagined language, make up a montage of stories. Whilst it’s great to learn about these texts (subtitled in English and Chinese), some are only a few lines long. The short run time and opera’s florid musicality prevent anything more than a bare bones book and the most basic summaries of the source material. Though they all deal in our relation to the natural world and consequently there is scope to address issues of climate change and stewardship of the earth, this isn’t followed through other than by thematic links across the myths.
The use of puppetry provides an essential visual aspect given the singers are largely static and clad in black robes reminiscent of religious vestments. Though minimalist, it is stunning and used effectively. Whilst the story aspect of the production might be lacking, the aesthetic experience of the design and music is contemplative and relaxing.
Book of Mountains and Seas, The Lyceum, 15 Aug, 8pm