What does it cost to navigate the arts as a working class individual? From the turmoil of wealthy drama school peers to the misery of working in a call centre, Tamsyn Kelly’s Rat’s Ass chronicles how she came to stand-up comedy and all that the profession continues to demand of her. A crucial and all-too contemporary hour of stand-up, the astutely-observed Rat’s Ass hails Kelly as one to watch.
As a storyteller, Kelly excels, bringing a comic colour to stories of her rescue rat, love of Blue Peter, and brother’s celiac disease. Her performance, although developing, is assured; we are easily taken on board. Each callback is neatly – yet, surprisingly – interwoven into Kelly’s narration. The odd tap dance and ABBA remix is a crowd-pleaser too, offering an electric pull which cannot be refused.
Meanwhile, moments of emotion are held with grace, offering welcome space to connect with the undercurrents of Rat’s Ass. Kelly is unafraid to note difficulties or complexities; this much-needed frankness is full of heart. Throughout, the show is also brilliantly direct: comedy costs – and it costs a whole lot more if you don’t come from money. Rat’s Ass is well worth our pennies.
Tamsyn Kelly: Rat’s Ass, Monkey Barrel Comedy (Cabaret Voltaire), until 30 Aug (not 19), 4.20pm