Author: meganwallace
-

Review: The Plot
An intriguing tangle of misguided loyalties and thwarted ambition is weighed down by a dense script
-

Review: If I can’t Dance I’m Not Coming
This Metropolis-inspired dance piece possesses a bold conceptual premise, but lacks exposition
-

Review: Border Bodies
T.F. Dance Company’s exhilarating dance piece Border Bodies explores the politicisation of movement
-

Edinburgh Festival Fringe Q&A: Eleanor Morton
Eleanor Morton discusses her latest stand-up show, The Mermaid, which explores coming of age
-

Richard Marsh’s Perfect Day
We asked Richard Marsh for his idea of a perfect day, and he took us, poetically, into the life of a mayfly
-

Review: Aliens
A mother and daughter experiment, Aliens is a multi-lingual exploration of heritage and migration
-

Review: Katie Norris: Mother Succubus
Katie Norris embraces her Mother Succubus alter-ego as fiercely cynical agony aunt for younger women
-

Edinburgh Fringe Q&A: Alice Fraser
Alice Fraser discusses Oh Man!, her stand-up show exploring masculinity and the manosphere
-

Edinburgh Fringe Q&A: Marty Gleeson
BBC New Comedy Award finalist Marty Gleeson talks us through their Fringe show Dog Ear
-

Review: Alfie Dundas: First Class Panic
Alfie Dundas’s reflections on his privileged upbringing hits a snag after some destabilising crowd work
-

Review: Giraffe
Abigail Weinstock’s quirky new solo play follows a young girl as she stands accused of stalking her neighbour
-

Edinburgh Fringe Q&A: Alex Franklin
Alex Franklin discusses her stand-up and musical comedy show Kiss Me x, all about kissing and dating
-

Review: Burger and a Pint: Treats for the Soul
Sketch comedy duo Burger and a Pint explore compromised masculinity with easy chemistry
-

Review: HAM
This Hamlet-skewering two-hander opens a window to processing eco-grief
-

Edinburgh Festival Fringe Q&A: Finlay Christie
Comedian Finlay Christie discusses his latest show Champagne Casanova
-

Review: SLAYERS by Corinne Salisbury
SLAYERS’ exploration of violence and the manosphere builds tension even when it occasionally lacks clarity
-

Edinburgh Fringe Q&A: Pete Belcher
Pete Belcher discusses Noted, the new show from his art and entertainment collective The Back Pack
-

Review: John Kearns: Tilting at Windmills
John Kearns may be at a crossroads in his life, but on stage he’s exactly where he ought to be
-

Review: Frankie McNair: Huge Ass Mindset
Frankie McNair’s show excavates childhood trauma with humour
-

Review: Adam Flood: Life and Death of the Party
Adam Flood’s relentless exploration of millennial anguish is bombastic, but in need of some fine tuning
-

Review: Kate Dehnert: Echo
Kate Dehnert’s emotional show explores the fall-out from a ten-year relationship
-

Review: Zoe Wohlfeld: Dog Funeral
Zoe Wohlfield delivers a committed performance exploring grief as she stages a funeral for her furry best friend
-

Review: Ele Mckenzie: Bringing It All Back Home
Ele McKenzie bears her heart, soul and body in her debut comedy hour
-

Review: Poles
Yvonne Smink’s performance is a spectacle of the human body and its capabilities
-

Review: INDY!
This satire of the Indiana Jones trilogy has roots in postmodern panto
-

Edinburgh Fringe Q&A: Rob Preston
Comedian Rob Preston answers our Edinburgh Fringe Q&A in typically tongue in cheek fashion
-

Review: Robin Grainger: Lemonade
Robin Grainger makes his anticipated Edinburgh Fringe return with Lemonade
-

Rob Copland: ONE (more please)
Rob Copland grapples with professional woes and becoming a father in his latest show
-

Review: Angels in America
Internationaal Theater Amsterdam reimagines Tony Kushner’s contemporary classic Angels in America
-

Mark Thomas’s Core Memory Playlist
Trailblazing comedian and activist Mark Thomas shares a highly personal mixtape
-

Review: BIRDS: Alex Hines and Sarah Stafford
Beckettian Aussie Absurdism from Sons of Susan
-

Review: Ed Night: We’ll Be Alright, Darling
Ed Night delivers a tight set that is as introspective as it is mischievous
-

Interview: SH!T Theatre on EVITA TOO
SH!T Theatre’s latest project charts the forgotten herstory of Isabel Perón: the world’s first female president and Juan Perón’s third wife.
-

Review: Josh Pickar: Getting Off
The comedian draws on his past as a death row lawyer to examine the US justice system
-

Review: Rob Auton: JUPITER
Rob Auton’s shaggy dog tale is an elaborate vehicle for his mix of standup and storytelling
-

Review: The Trials of Magnus Coffinkey
A steampunk allegory exploring baby loss and grief within a couple
-

Edinburgh Fringe Q&A: Tom Ballard
Australian comedian Tom Ballard discusses his new comedy show based on a recent joke scandal he became involved in
-

Review: The Singer
A moving piece of musical theatre exploring ableism and inclusivity
-

Review: Marty Gleeson: Dog Ear
Gleeson squeezes meaning into every line that she can, but backs herself into an imaginative corner
-

Edinburgh Fringe Q&A: Em Humble
BAFTA-longlisted comedian, Em Humble unpacks her new character comedy show inspired by Arthurian legend
-

Review: Tia Rey: Oot Ma Banger
Hotly-tipped Glaswegian comic Tia Rey gives us a charismatic hour exploring psychedelics
-

Review: ROLEPLAY
Hannah Reilly’s show asks whether female sexual empowerment can survive commercialisation
-

Review: Selina Mosinski: Puss in Boots – A Working Class Fairy Tale
Fringe fairytale debut from Charity Shop Sue shows great promise but offers little levity for the audience
-

Review: Jonno: Here Comes Mr Funny
The debut Fringe show from Jonno, SNL UK’s head writer, is unsurprisingly excellent
-

Review: Bunny!
In Bunny!, a villainous would-be starlet turns murderous after one rejection too many
-

Kid’s Review: Glob
Alvie, five, enjoys the new circus adventure from Les Foutoukours
-

Review: The Palestinian Circus: Step and a Half
Step and a Half celebrates Palestinian culture while expounding joy as resistance
-

Review: Madeleine Brettingham: Legend
Warm, weighty debut exploring geezer culture from natural comic Madeleine Brettingham
-

Review: not for glory
not for glory sees three performers reclaim the traditional dance and music of their childhoods
-

Review: Sam Eley is Basil Crumbwick: Soul Sewage
Sam Eley debuts as Basil Crumbwick, his papier-mâché-headed alter ego
-

Review: Crybabies: The Scaring
A surprising, stellar third show from the Crybabies, exploring a washed-up exorcist who takes on one last gig
-

Review: Larry Dean: Hellbent
Slick, effortless comedy from stand-up and Saturday Night Live UK star Larry Dean
-

Opinion: Mama G on the Importance of Libraries
Children’s performer Mama G schools us on the power of pantomime and libraries
-

Interview: Sgàire Wood on Jupiter Rising
Sgàire Wood, artist and this year’s Jupiter Rising curator, on bringing her “ideal night out” to Jupiter Artland for one evening only
-

Edinburgh Fringe Q&A: Hayley Earlam
Award-winning choreographer Hayley Earlam discusses her new show Brrr
-

Review: Scout Boxall: God’s Favourite
Written and polished to within an inch of its life, God’s Favourite lands as theatre just as much as stand-up
-

Review: Li Jin Hao: Falling From a Moon
Li Jin Hao’s hour possesses a weighty structure but sometimes errs too far into overblown whimsy
-

Review: Kemah Bob: Love Child
An upbeat, joyful second hour from Fest cover star Kemah Bob
-

Review: Man or Bear
Smart, powerful kitchen sink storytelling examining abuse and coercion
-

Review: Bog Witch
Bryony Kimmings’ new show explores escapism and eco-anxiety in the English countryside
-

Review: Roger Prick: Sexopolis
A raucous hour charting a fictional 70s pornographer’s journey from precocious leery youngin to sleazy Soho entrepreneur
-

Edinburgh Fringe Q&A: Bachelors of Fine Arts
Riley Elton McCarthy and Hope Johansen, the writers and stars of Bachelors of Fine Arts open up about their dark musical comedy
-

Review: Amanda Knox: Cartwheel
Despite its controversial reputation, Amanda Knox’s comedy debut is surprisingly placid
-

Review: Freddie Meredith: Need a Light?
Freddie Meredith embodies a recognisable archetype: the guy determined to be seen as a nightclub legend
-

Review: Gareth Waugh: Is Pepsi OK?
Gareth Waugh unpacks a cracking Fringe-show tale with some nice true-crime touches
-

Review: Mark Vigeant: OUT THERE
Mark Vigeant’s high-energy character comedy is an amusing hour, but pulls punches
-

Edinburgh Fringe Q&A: not for glory
Charlotte Mclean, Jack Anderson and Malin Lewis discuss their rebellious work of dance-theatre
-

Review: EVITA TOO
Fringe legends Becca Biscuit and Louise Mothersole positively outdo themselves with EVITA TOO
-

Review: Ayo Adenekan: Homeland Insecurity
SNL UK’s Ayo Adenekan narrates his coming out experience and his religious Nigerian heritage
-

Review: Jordan Brookes: The Part of You That’s Always Screaming
Jordan Brookes is a juggernaut spectacle of disturbing fascination
-

Review: The Yellow Wallpaper
Charlotte Perkins Gilman’s short story The Yellow Wallpaper is adapted into a compelling dance thriller
-

Review: Cathy
Elaine C Smith plays a newly-widowed Glaswegian matriarch of old-school character
-

Review: Ania Magliano: Peach Fuzz
SNL UK’s Ania Magliano performs a sophisticated show with precise and effortless delivery
-

Opinion: How to Spice Up a Gallery Visit
To celebrate the beginning of the Edinburgh Art Festival, Coco the Time-Travelling Tart provides a guide to enjoying art
-

Review: Eric Rushton: Could Well Be In
Eric Rushton delivers an hour reflecting on his mum and his upbringing with seven siblings
-

Review: Chip and Gus: A Comedy with Balls
In this odd couple comedy, two performers exchange quips over table tennis
-

Review: Maya Ricote: Ay Am!
For her debut hour, Maya Ricote embodies a parodic version of a telenovela star
-

Review: Olga Koch: Fat Tom Cruise
The comedian follows up last year’s standout show with a polished, high-production hour
-

Review: Milo Edwards: Catamaran
A truly sensational hour of standup exploring grief, love and family
-

Amy Matthews: Definitions of Toast
Amy Matthews takes on heavy subjects with aplomb, in this tightly structured set
-

Review: Lizzy Hoo – Says Hoo?
Lizzy Hoo delivers a polished hour with outstanding writing and delivery
-

Review: Skank Sinatra: How to Succeed in Show Business Without Really Trying
Despite technical talent, Jens Radda could deliver something fresher in future
-

Kids Review: The Mystery of Pleasance Two
Lyra, ten, enjoys the murder mystery show The Mystery of Pleasance Two
-

Review: The Galloping Cure
This Kafka adaptation is a dark opera take on the opioid crisis, with music from Missy Mazzoli
-

Review: Dracula: Lucy’s Dream
Plexus Polaire’s moving Dracula adaptation perfectly combines past and present
-

Review: Alex Franklin: Kiss Me x
Gleefully nerdy new hour from Alex Franklin
-

Review: Jennifer Jane: Happy Tea
Jennifer Jane is an extraordinary person telling an extraordinary story, in no-frills fashion
-

Review: B48Y Crash Lands on Earth!
Lukas Meintjes’ camp clowning show sees an alien crash land into a gay nightclub
-

Review: Sami Abu Wardeh Hates You
For his sophomore show, Sami Abu Wardeh offers a personal hour exploring his family and upbringing
-

Review: Jess Fuchs: Feral
Jess Fuchs archly engages with the regressive impulses of the post-feminist moment
-

Review: Rory Marshall: Thank You for the Opportunity
Rory Marshall goes broad with characters that lack a sharper, more defined edge
-

Review: Boys Don’t Dance
Marc Brew’s new children’s dance-theatre show, Boys Don’t Dance, approaches storytelling, movement and a vibrant 80s soundtrack with inclusivity
-

Review: Ifrah Qureshi: 48 Flaws of Power
Ifrah Qureshi’s debut Fringe hour engages with one of the manosphere’s canonical texts
-

Review: Amanda Dwyer: Better Than Revenge
Amanda Dwyer’s debut show flips easy survivor narratives on their head for a caustic, complicated hour
-

Review: Eva Peroni: Jungled
Potently leftist yet politically incorrect, Eva Peroni’s gleeful bravado glosses over the young comic’s contradictions
-

Review: Sophie Duker: Hot Beef Injection
Sophie Duker offers a fresh and charming voice to the discourse on male loneliness
-

Review: Jonathan Oldfield: Exquisite Corpse
Jonathan Oldfield’s unpredictable debut show stitches together sketch comedy gold
-

Review: Andrew Doherty: Reviewers Welcome… TO DIE!
Andrew Doherty’s camp horror is amusing, but can feel unsophisticated, formulaic and shallow
-

Review: Mrs Stern Wanders The Prussian State Library
A tense exploration of anti-Semitism in the totalitarian Nazi state is let down by the toothless characterisation of one of its villains
-

Review: Kate Hammer: Government Approved Comedian
Kate Hammer’s frantic Fringe debut is themed around the bureaucratically taxing process of visa applications
-

Review: Gareth Mutch Means Well
Even Gareth Mutch’s natural talent and likability can’t save a poorly defined and under-developed show
-
![Review: [seagull]](https://festmag.com/wp-content/uploads/sites/2/2026/07/pressYVDE7112-1-1-1.jpg)
Review: [seagull]
Olympique Dramatique’s [seagull] is a poignant, textured reimagining of the Chekhov classic
-

Review: 11½ Angry Men
Despite a stacked comedic cast, a weak script leads to a lacklustre overall performance
-

Review: Depths of Wikipedia
Annie Rauwerda turns her popular Instagram account @depthsofwikipedia into a fully-fledged comedy show
-

Review: Sid Singh: Love Bombing
Sid Singh reflects on the role of political comedy amid global crisis in an earnest, likeable hour
-

Review: How to Art
This absurdist art world satire riffs off of Maurizio Cattelan’s infamous banana stunt to mixed effect
-

Review: Prophets
Prophets examines oppression and abuse of power within religious cults, but adds little to the conversation
-

Review: Jack Brookmyre: Impressionable
Jack Brookmyre offers up whip-smart storytelling, savvy observations and caustic gags
-

Review: PLASTIC
Minyoung Kim crafts a startlingly cinematic musical journey deep into ancient pasts and visionary futures
-

Review: Chris Rutter: Ignorance Is Chris
Chris Rutter’s debut set is calmly delivered, full of solid gags with similar beats
-

Review: Demi Adejuyigbe Sells Out
Demi Adejuyigbe delivers a skilful hour with super sharp comebacks and chaotic energy
-

Ethan & Gigi Present: THE MOVEMENT
At every moment THE MOVEMENT shrouds itself in glory and kicks itself in the nuts
-

Review: Target Audience
A live wire cast does much of the heavy lifting in this tame critique of corporate interests and careerism
-

Review: Harriet Richardson: Creep
The debut stand-up show from performance artist Harriet Richardson tackles parasocial relationships head-on
-

Review: House Fly
An unstoppably silly, gleeful fly-drag show from clown Tess O’Shea
-

Review: The Buddha Wears Prada
American stand-up Sofia May delivers a takedown of a not-yet-infamous cult leader
-

Review: Emmeline Downie: Gail
An unsparing portrait of a certain kind of lost soul, which errs towards middle-class misery over mirth
-

Review: Patrick Monahan: I’m Not A Terrorist – I’m Freddie Mercury
Patrick Monahan hints at a hard-hitting show with personal tales but ultimately keeps things light
-

Review: Rob Preston: Amazing Global Solutions
Rob Preston offers up delightfully deranged musings on the sex recession and parodies of masculinity which push cliches to farcical limits
-

Review: Jenny Gorelick: SORRY
Depending on your relationship status, Jenny Gorelick’s debut Fringe hour will have you guffawing or debating if heterofatalism has gone too far
-

Review: Spin Cycle
Sweltering chemistry on stage is let down by sloppy writing in Spin Cycle’s sapphic saga
-

Review: Susie McCabe: Coming of Rage
Susie McCabe’s stand-up hour Coming of Rage promises anger but delivers comfortable laughter
-

Interview: Catherine Taaffe and Harriet Richardson on Limerence
Catherine Taaffe and Harriet Richardson discuss their Fringe shows dealing with the dizzying heights and crushing lows of romantic infatuation
-

Edinburgh Fringe Q&A: Emanuele Aldrovandi
Italian playwright, screenwriter and director Emanuele Aldrovandi discusses his new participatory theatre work coming to the Fringe
-

Edinburgh Fringe Q&A: Sid Singh
Comedian Sid Singh discusses his new show Love Bombing, about his date with a stalker
-

Edinburgh Fringe Q&A: Isabelle Barbier
Isabelle Barbier discusses Rip Her to Shreds, her witchy exploration of girlhood and female rage
-

Edinburgh Fringe Q&A: Mark McAuley
As he brings a new adaptation of Gogol’s Diary of a Mad Man to the Fringe, Mark McAuley discusses mental health and modern loneliness
-

Callum Patrick Hughes’ Day of the Locust Mixtape
Multi-instrumentalist Callum Patrick Hughes’ Fringe show reimagines Nathanael West’s 1930 novel for a musical reflection on contemporary America
-

Opinion: Give us a fair cut
Writer, producer and clown Lukas Meintjes advocates for establishing a practical standard for venue deals in independent performing arts
-

Yoz Mensch’s Queer Roadtrip Mixtape
Yoz Mensch selects The Muppets and SOPHIE for the unofficial soundtrack of My Grandpa Doesn’t Follow Me On Instagram
-

Flo & Joan’s Andrew Lloyd Webber Mixtape
Ahead of their Andrew Lloyd Webber-themed Fringe show ‘One Man Musical’, Flo & Joan curate a Fest mixtape
-

Edinburgh Fringe Q&A: Mario Adrion
Comedian, content creator and former model Mario Adrion discusses his Zoolander-meets-Baby-Reindeer debut show
-

‘Margaret Thatcher’s’ Hollywood Mixtape
Matt Tedford, in character as Margaret Thatcher, picks tracks featured in major motion pictures.
-

Edinburgh Fringe Q&A: Mike Wozniak
Mike Wozniak, the comedian seen on Taskmaster and heard on the Three Bean Salad podcast, answers our Fringe Q&A
-

John-Luke Roberts Existential Crisis Mixtape
Returning to the Fringe with his first new show in four years, JLR picks songs for stewing on mortality.
-

Edinburgh Fringe Q&A: Charlotte Merriam
Charlotte Merriam discusses her new show Sad Bride, the wedding industrial complex, and comphet
-

Lil Wenker’s BOYKING Mixtape
American clown Lil Wenker curates a power-hungry playlist
-

Edinburgh Fringe Q&A: Li Jin Hao
After his breakthrough hour Swimming In A Submarine debuted in 2024, the comedian returns with Falling From a Moon
-

Andrew Doherty’s Underrated Bangers Mixtape
Andrew Doherty selects underrated bangers from Fleur East and Sugababes ahead of his 2026 Fringe show
-

Edinburgh Fringe Q&A: Molly-Rose Treves and Gabriel Fogarty-Graveson
The Dream Machine cast members Molly-Rose Treves and Gabriel Fogarty-Graveson talk improv and their picks of the Fringe
-

Brit Barron’s CHURCH Mixtape
Brit Barron compiles the tracks which inspired her gospel-comedy crossover CHURCH.
-

Edinburgh Fringe Q&A: Hadsan Mohamud
Writer and performer Hadsan Mohamud discusses her play CRUSH: a teen love story set in an eating disorder clinic
-

Hannah Byczkowski’s Killer Mixtape
‘The Traitors’ winner Hannah Byczkowski provides an unofficial soundtrack to her death-themed debut
-

Edinburgh Fringe Q&A: Maria Bartholdi
Ahead of Endometriosis: The Musical’s Fringe run, co-creator Maria Bartholdi discusses women’s health and the US political landscape
-

Conk’s Constant Repeat Mixtape
Conk’s 2026 Fringe show is titled “Man Sings the Same Song Over and Over Again for an Hour”. To celebrate, he picks a song to put on constant repeat.
-

Jack J and John’s Geordie Icons: A Metroland Mixtape
Jack J and John from comedy group Metroland curate a playlist of Geordie legends, from Mark Knopfler to Sam Fender
-

Cheeyang Ng’s Legendary Mixtape
Cheeyang Ng selects Sara Bareilles, Lady Gaga, and themself.



